Ballet Black in Rehearsal for Storyville

January 24, 2012
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Ballet Black returns to the Linbury Studio Theatre this February with Short Dance Works, a mixed bill combining plotless pieces with a brand new 30-minute narrative ballet (their longest yet) choreographed by Christopher Hampson. Storyville takes us back to the famous red-light district in 20th century New Orleans, Louisiana to tell the “rags-to-riches-and-back-to-rags” tale of [...]

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New year, new dance, new projects!

January 14, 2012
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Happy 2012 everyone! As we promised on Twitter, we are now back on blogging mode. You may have noticed that we haven’t been so active for the last few months. Even though we had an amazing year and have been lucky enough to travel and watch lots of great dance in 2011 (I had a [...]

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British Style – Made in Munich

January 7, 2012
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Happy new year everyone! Yesterday we tweeted about this great blog post from TenduTV citing globalization as one of ten dance buzzwords for 2012. In our first post of the year, guest blogger Wiebke Schuster proves she’s right on the trend line, with a report from a very British season in Munich: What is “very [...]

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Where Snowflakes Dance & Swear: Q&A with Stephen Manes

December 26, 2011
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It is no secret that dancers and the people behind the curtain put in long hours to bring ballet to life. For us it’s always fascinating to hear what happens behind the scenes, from the historical development of the art form, to the economics behind the most successful ballets out there, to dancers’s personal stories as [...]

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Home for the Holidays: Ballet Siblings

December 21, 2011
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Here’s a holiday special from our fab US-based guest blogger Brian Mengini: Christmas is a time for families to get together and celebrate; to enjoy each other and share in the love. But for most in ballet, it’s slightly different. Christmas means seemingly unending Nutcracker runs, accompanied by seemingly unending rehearsals and shows, maybe 30 [...]

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A Better Man: Liliom review

December 15, 2011
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With so many great stories lending themselves to ballet adaptations, one does wonder what has stopped the major ballet companies from putting out more narrative work? Is it Balanchine’s ghost? Lack of appetite for risk? Recently a panel organised by The Arts Desk discussed how companies with public funding ought to be doing more in that regard. At [...]

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