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	<title>Comments on: Be True to Your School</title>
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	<link>http://www.theballetbag.com/2009/05/02/be-true-to-your-school/</link>
	<description>Because ballet ROCKS!</description>
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		<title>By: The Royal Danish Ballet</title>
		<link>http://www.theballetbag.com/2009/05/02/be-true-to-your-school/comment-page-1/#comment-633</link>
		<dc:creator>The Royal Danish Ballet</dc:creator>
		<pubDate>Fri, 05 Mar 2010 21:17:56 +0000</pubDate>
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		<description>[...] with a view of increasing technical standards. Introduction of Russian Style technique (Vaganova) and new repertoire to challenge the [...]</description>
		<content:encoded><![CDATA[<p>[...] with a view of increasing technical standards. Introduction of Russian Style technique (Vaganova) and new repertoire to challenge the [...]</p>
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		<title>By: Dancing Days &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/05/02/be-true-to-your-school/comment-page-1/#comment-13</link>
		<dc:creator>Dancing Days &#171; The Ballet Bag</dc:creator>
		<pubDate>Mon, 21 Sep 2009 09:55:53 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=151#comment-13</guid>
		<description>[...] 1916 &#8211; Agrippina Vaganova begins teaching at the Imperial Ballet School, training ballet legends in the make such as Galina Ulanova, Natalia Dudinskaya and Maya Plisetskaya. Be True to Your School, May 2009 [link] [...]</description>
		<content:encoded><![CDATA[<p>[...] 1916 &#8211; Agrippina Vaganova begins teaching at the Imperial Ballet School, training ballet legends in the make such as Galina Ulanova, Natalia Dudinskaya and Maya Plisetskaya. Be True to Your School, May 2009 [link] [...]</p>
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		<title>By: Dear Mr. Fantasy &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/05/02/be-true-to-your-school/comment-page-1/#comment-12</link>
		<dc:creator>Dear Mr. Fantasy &#171; The Ballet Bag</dc:creator>
		<pubDate>Wed, 12 Aug 2009 08:10:28 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=151#comment-12</guid>
		<description>[...] The arrival of Vera Volkova at the Royal Danish Ballet School, introduced many ideas from the Vaganova school of training, doing away with the set of Bournonville classes, which then disappeared from the school [...]</description>
		<content:encoded><![CDATA[<p>[...] The arrival of Vera Volkova at the Royal Danish Ballet School, introduced many ideas from the Vaganova school of training, doing away with the set of Bournonville classes, which then disappeared from the school [...]</p>
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		<title>By: The Mariinsky Ballet &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/05/02/be-true-to-your-school/comment-page-1/#comment-11</link>
		<dc:creator>The Mariinsky Ballet &#171; The Ballet Bag</dc:creator>
		<pubDate>Mon, 03 Aug 2009 07:06:50 +0000</pubDate>
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		<description>[...] or the struggles of the working class were created. At that time, former dancer turned teacher Agrippina Vaganova &#8220;fought tooth and nail&#8221; to preserve Marius Petipa&#8217;s and the Imperial [...]</description>
		<content:encoded><![CDATA[<p>[...] or the struggles of the working class were created. At that time, former dancer turned teacher Agrippina Vaganova &#8220;fought tooth and nail&#8221; to preserve Marius Petipa&#8217;s and the Imperial [...]</p>
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		<title>By: Beautiful Woman &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/05/02/be-true-to-your-school/comment-page-1/#comment-10</link>
		<dc:creator>Beautiful Woman &#171; The Ballet Bag</dc:creator>
		<pubDate>Sat, 25 Jul 2009 09:52:30 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=151#comment-10</guid>
		<description>[...] of the Vaganova machine, Veronika exhibits all the traits that  are so distinctive in Russian dancers: wonderful port de [...]</description>
		<content:encoded><![CDATA[<p>[...] of the Vaganova machine, Veronika exhibits all the traits that  are so distinctive in Russian dancers: wonderful port de [...]</p>
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		<title>By: Linda</title>
		<link>http://www.theballetbag.com/2009/05/02/be-true-to-your-school/comment-page-1/#comment-9</link>
		<dc:creator>Linda</dc:creator>
		<pubDate>Sun, 31 May 2009 20:39:30 +0000</pubDate>
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		<description>Hi. Thanks for the compliments and we hope we are able to maintain your interest on the blog, since we are hoping to be here on the long run. Indeed, the Vaganova method was developed with many assumptions being placed on the particular body types that the academy had to work with (as it is well known that people were hand picked to attend), but of course this does not mean that its teachings are restricted to those satisfying the physical requirements. Anyone can benefit from russian type training (their dancers still have the most beautiful upper bodies). However, as a parent, one has to pay attention on the schools and teachers who are in charge of your kids&#039; development. The best aid is information and to maintain good communication with the teacher and the school.</description>
		<content:encoded><![CDATA[<p>Hi. Thanks for the compliments and we hope we are able to maintain your interest on the blog, since we are hoping to be here on the long run. Indeed, the Vaganova method was developed with many assumptions being placed on the particular body types that the academy had to work with (as it is well known that people were hand picked to attend), but of course this does not mean that its teachings are restricted to those satisfying the physical requirements. Anyone can benefit from russian type training (their dancers still have the most beautiful upper bodies). However, as a parent, one has to pay attention on the schools and teachers who are in charge of your kids&#8217; development. The best aid is information and to maintain good communication with the teacher and the school.</p>
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		<title>By: Danja</title>
		<link>http://www.theballetbag.com/2009/05/02/be-true-to-your-school/comment-page-1/#comment-8</link>
		<dc:creator>Danja</dc:creator>
		<pubDate>Fri, 29 May 2009 19:55:42 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=151#comment-8</guid>
		<description>Hello,

I came across your blog via Twitter today. You can count me in as a reader. I love the blog, and of course I absolutely love ballet.
You raise a great point about Vaganova style that it does assume that dancers have very specific physical attributes. My daughter has started going to ballet (well, really pre-ballet since she is 3.5 years old), and the school she goes to teaches Vaganova style. I observed some older classes for girls who are not aspiring to professional career, and it made me wince a bit when I saw the 180 turnout of feet without the hip turnout. The school&#039;s professional program is great, but I am prepared to change schools if I see that my daughter&#039;s turnout is being forced.</description>
		<content:encoded><![CDATA[<p>Hello,</p>
<p>I came across your blog via Twitter today. You can count me in as a reader. I love the blog, and of course I absolutely love ballet.<br />
You raise a great point about Vaganova style that it does assume that dancers have very specific physical attributes. My daughter has started going to ballet (well, really pre-ballet since she is 3.5 years old), and the school she goes to teaches Vaganova style. I observed some older classes for girls who are not aspiring to professional career, and it made me wince a bit when I saw the 180 turnout of feet without the hip turnout. The school&#8217;s professional program is great, but I am prepared to change schools if I see that my daughter&#8217;s turnout is being forced.</p>
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