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Les Sylphides

by Linda on May 5, 2009

Is this ballet for you?

Go if: You are fond of white romantic vaporous tutus waltzing on the stage. Adagio (ie. slow) dancing makes you happy.

Skip if: You prefer your ballets full-length and plot driven, with loads of pyrotechnics on the side.

ABT in Les Sylphides. Photo Rosalie O'Connor ©. Picture Source: [Artsjournal.com]

ABT in Les Sylphides by Rosalie O'Connor ©. Picture Source: Artsjournal.com

Themes

Les Sylphides is a short (one act) plotless Romantic ballet, or as some would describe it, a ballet of mood, originally choreographed by Mikhail Fokine to music by Chopin. Although it is framed rather like the “divertissements in the forest” that take place in Act 2 of the full length Romantic ballet “La Sylphide”, Les Sylphides has nothing to do with and should not be confused with  the former (different music, choreographer, motifs and themes).

Perhaps because of the potential for confusion with La Sylphide some ballet companies still refer to Fokine’s work by its original title: Chopiniana or Reverie Romantique: Ballet sur la musique de Chopin, as performed at the Mariinsky Theatre in 1908. However named, the version danced nowadays is the one staged for Diaghilev’s Ballets Russes, premiered in Paris at the Theatre du Chatelet, the 2nd of June of 1909, with an original cast led by Anna Pavlova, Tamara Karsavina, Vaslav Nijinsky and Alexandra Baldina.

The ballet’s theme is that of a young man walking at night and encountering a group of white sylphs (slender young women that are spirits of the air. The name Sylph is combined from the latin sylvestris=of the woods and nympha=nymph) dancing in the moonlight. The man joins in and dances with the sylphs. Some productions characterized this man as “a poet dreaming about his inspirations” (in many programmes the male role would be called poet) but this is really a ballet about the music rather than its characters and as the Royal Ballet ‘s programme notes, each of the female dancers is named after their own movements (Valse, Mazurka, Prelude). Given the romantic atmosphere of this piece, the ballet is very approachable and a staple in the repertory of nearly every major company in the world. Women in white romantic tutus (ie. the long ones) are always evocative and who doesn’t like to spend half an hour looking at dreamy apparitions on stage?

Music

To make an Ipod or Spotify playlist for Les Sylphides (always a good idea to try the music on before you go!) you should look for the following Chopin tracks – but note that in live performance they will have been orchestrated (see mini biography below):

1. Prelude in A (Op. 28, no 7),
2. Nocturne in A flat major (Op. 32, no. 2),
3. Valse in G Flat major (Op. 70, no. 1),
4. Mazurka in D major (Op. 33, no. 2),
5. Mazurka in C major (Op. 67, no. 3),
6. Valse in C sharp minor (Op. 64, no. 2),
7. Valse in E flat major (Op. 18, no. 1)

Mini Biography:

Choreography: Mikhail Fokine
Music: Frederic Chopin
Original Orchestration: Alexander Glazunov (Roy Douglas in the current Royal Ballet production)
Original Design: Alexandre Benois
Original Cast: Anna Pavlova, Tamara Karsavina, Vaslav Nijinsky and Alexandra Baldina
Premiere: 2 June 1909

Sources and Further Information

  1. Wikipedia entry for Les Sylphides.
  2. ABT’s notes on Les Sylphides.
  3. Australia Dancing’s entry and research materials.
  4. Monica Mason and artists of the Royal Ballet talking about the triple bill dedicated to the Ballets Russes, including Les Sylphides [Link]

{ 4 trackbacks }

Slow Night, so Long « The Ballet Bag
May 9, 2009 at 4:01 pm
Yesterday Threw Everything At Me « The Ballet Bag
June 9, 2009 at 1:22 pm
La Sylphide
February 10, 2010 at 4:43 pm
La Sylphide/Les Sylphides FOTD «
November 2, 2012 at 7:26 pm

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