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	<title>Comments on: Long Tall Sally</title>
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	<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/</link>
	<description>Because ballet ROCKS!</description>
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		<title>By: Moonbootica (@Moonbootica) (@Moonbootica)</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-39535</link>
		<dc:creator>Moonbootica (@Moonbootica) (@Moonbootica)</dc:creator>
		<pubDate>Sun, 22 Jan 2012 18:45:52 +0000</pubDate>
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		<description>RT @theballetbag Long Tall Sally http://t.co/1xEWitDZ</description>
		<content:encoded><![CDATA[<p>RT @theballetbag Long Tall Sally <a href="http://t.co/1xEWitDZ" rel="nofollow">http://t.co/1xEWitDZ</a></p>
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		<title>By: Mariinsky in London: Dress Rehearsal</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-26891</link>
		<dc:creator>Mariinsky in London: Dress Rehearsal</dc:creator>
		<pubDate>Tue, 09 Aug 2011 12:34:19 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=393#comment-26891</guid>
		<description>[...] Curtains opened with Ballet Imperial.  Beautiful &amp; simple.  Then they went into another Balanchine piece: Scotch Symphony. It was my first time seeing it and I had fun photographing it.  They [...]</description>
		<content:encoded><![CDATA[<p>[...] Curtains opened with Ballet Imperial.  Beautiful &amp; simple.  Then they went into another Balanchine piece: Scotch Symphony. It was my first time seeing it and I had fun photographing it.  They [...]</p>
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		<title>By: Boston Ballet: In Rehearsal</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-26117</link>
		<dc:creator>Boston Ballet: In Rehearsal</dc:creator>
		<pubDate>Tue, 02 Aug 2011 21:29:46 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=393#comment-26117</guid>
		<description>[...] opportunity to sit in on and capture the company&#8217;s rehearsal.  They were in preparation for Balanchine&#8216;s Divertimento No. 15 and the much anticipated, ELO Experience. Jorma Elo is Boston [...]</description>
		<content:encoded><![CDATA[<p>[...] opportunity to sit in on and capture the company&#8217;s rehearsal.  They were in preparation for Balanchine&#8216;s Divertimento No. 15 and the much anticipated, ELO Experience. Jorma Elo is Boston [...]</p>
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		<title>By: Emilia</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-22888</link>
		<dc:creator>Emilia</dc:creator>
		<pubDate>Wed, 22 Jun 2011 01:03:06 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=393#comment-22888</guid>
		<description>Thank you so much for the comment &amp; the plug on Twitter Juliette. This one is &quot;from the vault&quot; : ) but we&#039;ll definitely take your suggestion for more on board!</description>
		<content:encoded><![CDATA[<p>Thank you so much for the comment &#038; the plug on Twitter Juliette. This one is &#8220;from the vault&#8221; : ) but we&#8217;ll definitely take your suggestion for more on board!</p>
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		<title>By: Juliette</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-22847</link>
		<dc:creator>Juliette</dc:creator>
		<pubDate>Mon, 20 Jun 2011 21:20:39 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=393#comment-22847</guid>
		<description>Love, love, love how you *show* the differences between the styles using the photographs. I think these ballet appreciation articles really help people understand and get more from watching ballet, and I hope you&#039;ll do more of them as you guys keep growing. This early one is probably worth a re-up from Twitter - I might tweet it myself actually.</description>
		<content:encoded><![CDATA[<p>Love, love, love how you *show* the differences between the styles using the photographs. I think these ballet appreciation articles really help people understand and get more from watching ballet, and I hope you&#8217;ll do more of them as you guys keep growing. This early one is probably worth a re-up from Twitter &#8211; I might tweet it myself actually.</p>
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		<title>By: Musicality</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-22293</link>
		<dc:creator>Musicality</dc:creator>
		<pubDate>Thu, 09 Jun 2011 16:09:42 +0000</pubDate>
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		<description>[...] musical, but this has little to do with the dancers being musical themselves. For instance, Balanchine  focused on musicality and form over plot and character. However, certain dancers will know how to [...]</description>
		<content:encoded><![CDATA[<p>[...] musical, but this has little to do with the dancers being musical themselves. For instance, Balanchine  focused on musicality and form over plot and character. However, certain dancers will know how to [...]</p>
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		<title>By: Ballo della regina: Merrill Ashley</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-20530</link>
		<dc:creator>Ballo della regina: Merrill Ashley</dc:creator>
		<pubDate>Wed, 11 May 2011 15:04:31 +0000</pubDate>
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		<description>[...] Ashley, one of Balanchine&#8217;s great ballerinas, was renowned for her amazing speed, attack and musicality, gifts that she [...]</description>
		<content:encoded><![CDATA[<p>[...] Ashley, one of Balanchine&#8217;s great ballerinas, was renowned for her amazing speed, attack and musicality, gifts that she [...]</p>
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		<title>By: Stag Night at The Royal Danish Ballet</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-3100</link>
		<dc:creator>Stag Night at The Royal Danish Ballet</dc:creator>
		<pubDate>Tue, 25 May 2010 13:39:50 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=393#comment-3100</guid>
		<description>[...] part of the &#8220;Ballerina&#8221; half of the program, and get to perform some fantastic stuff, George Balanchine&#8217;s Serenade, my personal Holy Grail; Jerome Robbins&#8217;s The Cage, in which I unleash my [...]</description>
		<content:encoded><![CDATA[<p>[...] part of the &#8220;Ballerina&#8221; half of the program, and get to perform some fantastic stuff, George Balanchine&#8217;s Serenade, my personal Holy Grail; Jerome Robbins&#8217;s The Cage, in which I unleash my [...]</p>
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		<title>By: Concerto [Kenneth MacMillan]</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-778</link>
		<dc:creator>Concerto [Kenneth MacMillan]</dc:creator>
		<pubDate>Wed, 24 Mar 2010 14:36:40 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=393#comment-778</guid>
		<description>[...] Third movement:  Zenaida Yanowsky or any Balanchine Long Tall Sally. [...]</description>
		<content:encoded><![CDATA[<p>[...] Third movement:  Zenaida Yanowsky or any Balanchine Long Tall Sally. [...]</p>
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		<title>By: Symphony in C - Review</title>
		<link>http://www.theballetbag.com/2009/05/13/long-tall-sally/comment-page-1/#comment-490</link>
		<dc:creator>Symphony in C - Review</dc:creator>
		<pubDate>Thu, 25 Feb 2010 13:48:37 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=393#comment-490</guid>
		<description>[...] Royal Danish Ballet is intrinsically linked to Bournonville, the French ballet-master who shaped the Company, its style (the closest to 19th century French [...]</description>
		<content:encoded><![CDATA[<p>[...] Royal Danish Ballet is intrinsically linked to Bournonville, the French ballet-master who shaped the Company, its style (the closest to 19th century French [...]</p>
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