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	<title>Comments on: I Bet You Look Good on the Dancefloor</title>
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	<link>http://www.theballetbag.com/2009/05/15/i-bet-you-look-good-on-the-dancefloor/</link>
	<description>Because ballet ROCKS!</description>
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		<title>By: New Works in The Linbury - Review</title>
		<link>http://www.theballetbag.com/2009/05/15/i-bet-you-look-good-on-the-dancefloor/comment-page-1/#comment-3310</link>
		<dc:creator>New Works in The Linbury - Review</dc:creator>
		<pubDate>Fri, 04 Jun 2010 11:36:35 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=478#comment-3310</guid>
		<description>[...] Last year’s works were an interesting mix of pieces influenced by the dance language of resident choreographer Wayne McGregor, pure classical ballet (Liam Scarlett and Johan Kobborg&#8217;s pieces) and Kristen McNally’s ultra original Obama speech-inspired piece. [...]</description>
		<content:encoded><![CDATA[<p>[...] Last year’s works were an interesting mix of pieces influenced by the dance language of resident choreographer Wayne McGregor, pure classical ballet (Liam Scarlett and Johan Kobborg&#8217;s pieces) and Kristen McNally’s ultra original Obama speech-inspired piece. [...]</p>
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		<title>By: Dance Blogs You Should Read</title>
		<link>http://www.theballetbag.com/2009/05/15/i-bet-you-look-good-on-the-dancefloor/comment-page-1/#comment-2271</link>
		<dc:creator>Dance Blogs You Should Read</dc:creator>
		<pubDate>Wed, 21 Apr 2010 19:24:46 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=478#comment-2271</guid>
		<description>[...] McNally is a Royal Ballet soloist and a choreographer. Last year she choreographed a promising piece based on Obama&#8217;s presidential campaign for The Royal Ballet at the Linbury. Earlier this year she created a role in Jonathan Watkins’s [...]</description>
		<content:encoded><![CDATA[<p>[...] McNally is a Royal Ballet soloist and a choreographer. Last year she choreographed a promising piece based on Obama&#8217;s presidential campaign for The Royal Ballet at the Linbury. Earlier this year she created a role in Jonathan Watkins’s [...]</p>
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		<title>By: Season Awards &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/05/15/i-bet-you-look-good-on-the-dancefloor/comment-page-1/#comment-39</link>
		<dc:creator>Season Awards &#171; The Ballet Bag</dc:creator>
		<pubDate>Fri, 03 Jul 2009 10:09:34 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=478#comment-39</guid>
		<description>[...] one Giselle. His future as a choreographer looks promising, given that he got stellar reviews on his short work for the Linbury, Les [...]</description>
		<content:encoded><![CDATA[<p>[...] one Giselle. His future as a choreographer looks promising, given that he got stellar reviews on his short work for the Linbury, Les [...]</p>
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		<title>By: A Fiery Spirit &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/05/15/i-bet-you-look-good-on-the-dancefloor/comment-page-1/#comment-38</link>
		<dc:creator>A Fiery Spirit &#171; The Ballet Bag</dc:creator>
		<pubDate>Wed, 01 Jul 2009 15:34:43 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=478#comment-38</guid>
		<description>[...] creating a role alongside Sergei Polunin and Cojocaru in Kobborg&#8217;s short virtuoso piece Les Lutins. At the time of his debut in Romeo &amp; Juliet the press reported that it was Alina who had asked [...]</description>
		<content:encoded><![CDATA[<p>[...] creating a role alongside Sergei Polunin and Cojocaru in Kobborg&#8217;s short virtuoso piece Les Lutins. At the time of his debut in Romeo &amp; Juliet the press reported that it was Alina who had asked [...]</p>
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		<title>By: Emilia</title>
		<link>http://www.theballetbag.com/2009/05/15/i-bet-you-look-good-on-the-dancefloor/comment-page-1/#comment-37</link>
		<dc:creator>Emilia</dc:creator>
		<pubDate>Tue, 19 May 2009 13:40:09 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=478#comment-37</guid>
		<description>Indeed Prithvi, Charlie Siem was the icing on Les Lutins&#039;s cake, no wonder that Alina chooses him over the dancers!

And you&#039;re right about Dear Norman, this really seemed to illustrate the background to Kobborg&#039;s own piece.</description>
		<content:encoded><![CDATA[<p>Indeed Prithvi, Charlie Siem was the icing on Les Lutins&#8217;s cake, no wonder that Alina chooses him over the dancers!</p>
<p>And you&#8217;re right about Dear Norman, this really seemed to illustrate the background to Kobborg&#8217;s own piece.</p>
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		<title>By: Prithvi</title>
		<link>http://www.theballetbag.com/2009/05/15/i-bet-you-look-good-on-the-dancefloor/comment-page-1/#comment-36</link>
		<dc:creator>Prithvi</dc:creator>
		<pubDate>Mon, 18 May 2009 12:15:01 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=478#comment-36</guid>
		<description>It really was spectacular - I loved the first piece Dear Norman - it felt like an intimate insight into the life of a dancer - being guided by choreographers.
I thought Charlie Siem was a huge distraction  - I couldn&#039;t keep my eyes off him even as I knew that I was missing large swathes of exquisite dancing.</description>
		<content:encoded><![CDATA[<p>It really was spectacular &#8211; I loved the first piece Dear Norman &#8211; it felt like an intimate insight into the life of a dancer &#8211; being guided by choreographers.<br />
I thought Charlie Siem was a huge distraction  &#8211; I couldn&#8217;t keep my eyes off him even as I knew that I was missing large swathes of exquisite dancing.</p>
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	<item>
		<title>By: Mauricio&#38; Nelida</title>
		<link>http://www.theballetbag.com/2009/05/15/i-bet-you-look-good-on-the-dancefloor/comment-page-1/#comment-35</link>
		<dc:creator>Mauricio&#38; Nelida</dc:creator>
		<pubDate>Sat, 16 May 2009 18:35:52 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=478#comment-35</guid>
		<description>The Ballet Bag, what a wonderful idea! It keeps us comfortably aware about dance in full extent to facts that,
we cannot follow, beeing far away from the ROH.
From now on we&#039;ll be in close contact with the information
provided by the Bag.
M&amp;N - Rio</description>
		<content:encoded><![CDATA[<p>The Ballet Bag, what a wonderful idea! It keeps us comfortably aware about dance in full extent to facts that,<br />
we cannot follow, beeing far away from the ROH.<br />
From now on we&#8217;ll be in close contact with the information<br />
provided by the Bag.<br />
M&amp;N &#8211; Rio</p>
]]></content:encoded>
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	<item>
		<title>By: Review &#8211; New Works in the Linbury (spring 2009) &#8211; Linbury Studio &#171; Life in the Cheap Seats &#8211; Webcowgirl&#8217;s London theatre reviews</title>
		<link>http://www.theballetbag.com/2009/05/15/i-bet-you-look-good-on-the-dancefloor/comment-page-1/#comment-34</link>
		<dc:creator>Review &#8211; New Works in the Linbury (spring 2009) &#8211; Linbury Studio &#171; Life in the Cheap Seats &#8211; Webcowgirl&#8217;s London theatre reviews</dc:creator>
		<pubDate>Fri, 15 May 2009 09:56:46 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=478#comment-34</guid>
		<description>[...] Works in the Linbury continues through Saturday, May 16th. An alternative review is available on BalletBag&#8217;s blog.) Possibly related posts: (automatically generated)Review &#8211; Merce Cunningham Dance Company [...]</description>
		<content:encoded><![CDATA[<p>[...] Works in the Linbury continues through Saturday, May 16th. An alternative review is available on BalletBag&#8217;s blog.) Possibly related posts: (automatically generated)Review &#8211; Merce Cunningham Dance Company [...]</p>
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