The Royal Ballet’s newest Principal dancer, aussie Steven McRae, charmed the hearts of these Bag Ladies since his first appearances in Covent Garden. At just 23, he has climbed through the ranks and made an impact on every single role he has been cast on. From his debut as one of the side soloists in Ashton’s demanding Symphonic Variations, his first big role and his outstanding Spirit of Fire, in Christopher Wheeldon’s re-reading of Homage to the Queen (Fire) to his unforgettably boyish Romeo opposite Alina Cojocaru’s Juliet, this strawberry blonde dancer has more than justified his fast rise.
His undeniable technical abilities to spin multiple, fast and very centered turns, soar high and “freeze frame” in the air, as well as his inherent musicality and charm are guaranteed to dazzle audiences and it seemed clear from the candid (some would say downright bold) way he spoke to the BBC a few years ago about the fact that he was never going to be a happy camper in the corps de ballet where he first started. As we look forward to Steven’s first season as a Principal dancer, here are some interesting facts & web notes on him.
Steven McRae in a Nutshell
Born in Sydney (Plumpton, in the Western Suburbs). Like many men in the dance world, he started ballet at 7 years old because of his sister. He also did gymnastics, jazz and tap dancing.
He won the gold medal of the GenÃ©e Competition in Sydney (performing Danses Concertantes) and scooped the first prize in 2003′s Prix de Lausanne, despite not having started full time ballet much long before the competition.
He joined the Royal Ballet School, where he studied for three years, before finally being offered a contract with the company. His first role was in the triple bill “The Wedding Bouquet/Requiem/Les Noces”.
His first big break was in Symphonic Variations, sharing the stage with Johan Kobborg and Federico Bonelli.
He has had work created on him by Wheeldon, McGregor and Marriott, among others.
Steven works closely with long time principals Johan Kobborg & Alina Cojocaru, having danced important roles in Johan’s productions of La Sylphide (as Gurn) and in Napoli Divertissements and more recently creating a role alongside Sergei Polunin and Cojocaru in Kobborg’s short virtuoso piece Les Lutins. At the time of his debut in Romeo & Juliet the press reported that it was Alina who had asked for him to partner her when Kobborg became injured.
Steven partnered Alina in the pas de deux ofÂ Balanchine’s Stars and Stripes at the ROH’s World Stage gala in Nov 2007, having also travelled to Tokyo with her that autumn to stand in for Kobborg in Ashton‘s The Dream (debuting as Oberon). They are due to reprise their partnership in Japan later this year dancing in The Nutcracker.
Steven is ambitious, competitive and a perfectionist, placing major importance on developing his roles. His most embarrassing moment occurred when his trousers split open during his first Fille Mal GardÃ©e. He is also a grateful student, takingÂ time to visit his old ballet school whenever he visits Australia (usually once a year) where he teaches and mentors new generations of dancers.
His dream role is Des Grieux in MacMillan’s Manon.
A quick spin through YouTube & a glimpse at McRae’s superb technique and musicality:
- In the Swan Lake pas de trois, together with Laura Morera and Yuhui Choe [link].
- Squirrel Nutkin from The Tales of Beatrix Potter [link]
- A Tap performance for The Prix de Lausanne 2003 [link]
Extracts of Reviews & Praise
Of his debut in Symphonic Variations
What the future holds for Steven McRae I dare not guess, but if he is not spoiled by too much – or too little – attention, he must surely have a splendid career. His dancing was exceptional in grace and security. Clement Crisp at the Financial Times [link].
Of his debut as Romeo (where he proved he was more than a technical whiz-kid)
Instead, and how sensitive this proved, his Romeo is younger, quieter than most in the early scenes, and then, when the fuse of his passion for Juliet is lit, burning with an inner fire that lights every step. Clement Crisp at the Financial Times [link]
McRae’s dancing is already polished by enthusiasm and an impressive classical technique and it holds nothing back. Debra Craine at The Times
Although only 21, McRae is one of the most technically accomplished dancers in the Royal Ballet and he brought an elegance and lightness of touch to sequences that have undone much more experienced performers. Luke Jennings at The Observer [link].
From his first minute on stage, you know his is going to hit the spot…his fizzing solo work cut the fastest, most deliriously buoyant turns I’ve seen in 15 years of balcony scenes.Â He also offered some uniquely nuanced character observation. Jenny Gilbert at The Independent [link]
If Covent Garden abided by entrenched Russian typecasting rules McRae would never have got beyond jester roles, which is essentially what happened when he played the Spirit of Fire (…). He’s fleet, slight, taut, acrobatically agile, extrovert, red haired and Australian. But McRae had already stretched beyond stereotype via Symphonic Variations and then partnering Tamara Rojo in Wayne McGregor’s monumentally successful Chroma. Yet none of these performances had really prepared audiences for his powerfully assured debut as Romeo. Allen Robertson for Dance Now (vol 16, n.4 Winter 07)
Of his role as the Spirit of Fire, in Wheeldon‘s Homage to the Queen (Fire)
Christopher Wheeldonâ€™sÂ Fire is filled with furious allegro and nervy shifts of emphasis, driven by Steven McRaeâ€™s bursting performance as the Spirit of Fire. Debra Craine at the Times [link]
Christopher Wheeldonâ€™s Fire has a demonic flavour, with a superbly athletic, explosive role as the spirit of Fire for the young and hugely talented Steven McRae. David Dougill at the Times [link]
and of his Nutcracker as the Sugar Plum Fairy Prince Cavalier
McRae is bright, brilliant-cut in technique, ardent in shaping a step or a phrase, and the role is his â€“ and handsomely so. Clement Crisp at the Financial Times [link].
Steven McRae’s Upcoming Performances at the ROH
- New work by Kim Brandstrup 21-26 Sep 2009
- Agon/Sphinx/New McGregor 5/13/17 Nov 2009
- Nutcracker (The Prince) 30 Nov/12 Dec
Public Booking opens July 14th. Friends of Covent Garden priority booking period currently open.
Sources and Further Information
- Steven McRae interviewed by David Bain. The Ballet Association. From the 2007 reports. Â [link]
- The 7:30 Report. Ballet’s Star Spectacular Rise by Rebecca Baillie. Australian Broadcasting Corporation. January 2009. [link]
- Dance: Steven McRae. An editorial by Clement Crisp. The Financial Times, January 2007. [link]
- Rising Star by Emma Love. The Observer, January 2007 [link]
The Royal Ballet - Manon - Review
[...] Steven McRae was a Des Grieux very much on the spot, not only because he’s 24, but as he had to step in on opening night as a substitute for an injured Edward Watson. We’ve come to expect great dancing from McRae and he didn’t disappoint, delivering a sensational opening solo where he sustained rock solid balances and brought attention to his upper body to elongate the lines (McRae has shorter proportions than Anthony Dowell, MacMillan’s original Des Grieux). He created romantic and lush phrases to convey Des Grieux’s passion for Manon. [...]
Thanks for the heads up, we’ve seen some of his tap routines and they are incredible to say the least! Feel free to email us more information if you wish.
Steven McRae is performing for the World Hunger Day Gala on January 9, 2011 at the ApolloVictoria.. but Tap Dancing…he will be tapping to Benny Goodman’s Sing Sing Sing……feet of fire that boy. It’s his tribute to Gregory Hines…… Apparently he is amazing at Tap! Tickets now onsale, proceeds to The Hunger Project
Onegin - The Royal Ballet [Review]
[...] night also featured confident debuts by Steven McRae as Lensky and high-flyer Akane Takada as Olga perfectly rounding off the story’s emotional [...]
Steven McRae and Roberta Marquez - Exclusive Slideshow
[...] Don Quixote in a Paris gala. Only a knight in shining ballet gear could rescue her. Cue mighty Steven McRae with whom she had been trying ballet steps together “playing around between pirouettes” [...]
Chroma/Tryst/Symphony in C - Review
[...] lines of Ed Watson and Mara Galeazzi, the classicism of Sarah Lamb and the turbo-speed of Steven McRae but perhaps Chroma is at its most involving when all dancers meet, finding a way to co-exist within [...]
The Royal Ballet's 2010-2011 Season
[...] is a ticket I will splurge on, this is the one. The cherry on the cake would be having “El McRae” cast as [...]
All I Want for Christmas « The Ballet Bag
[...] Song of the Earth and La Sylphide with plenty of new casting delights… and preferably with Steven McRae as [...]
The Inner Light « The Ballet Bag
[...] new dancers start to emergeÂ to match the remaining instruments. The second movement is led by Steven McRae and an ensemble of dancers, who become “alive” as they enter a colourful square of [...]
OK Computer « The Ballet Bag
[...] already familiar with his work, others less so. It was the first time McGregor’s male muses Steven McRae, Eric Underwood and Edward Watson appeared together in one of his works (this trio re-appeared in [...]
Life in Technicolor « The Ballet Bag
[...] the opening sequence featuring four dancing doubles of the opera characters, as performed by Steven McRae, Gary Avis, Leanne Benjamin and Johannes Stepanek. (This 2006 production is available on [...]
Man of the Hour « The Ballet Bag
[...] comedy & the clothes, with plenty of opportunity for the men (Acosta plus Royal Ballet’sÂ Steven McRae, Amilcar Moret and Arionel Vargas) to wear very little and impress us while trying to outdo each [...]
Season Awards « The Ballet Bag
[...] Injury may have robbed him of touring last summer & of some chunky debuts (including Lescaut in Manon) but McRae returned to the stage just in time to sparkle in The Nutcracker, shine as the Golden Idol, create principal roles in McGregorâ€™s sleek productions of Dido & Aeneas/Acis & Galatea and bag a promotion to Principal, no mean feat! (For a full feature on Steven, see our previous post). [...]