by Emilia on August 28, 2009
The Mariinsky visit to London a few weeks ago and in particular the fact that they brought mime-less Soviet adaptations of ballet classics with them, generated much discussion among Covent Garden audiences about the importance of mime in ballet. When Konstantin Sergeyev revisited works such as Swan Lake, The Sleeping Beauty and Le Corsaire in [...]
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Wilis
by Linda on August 24, 2009
The Royal Ballet Autumn Season is getting closer and if you are addicted like us then you are probably busy filling your bags with tickets to start it full-throttle. Look away if you belong in this category. This post is for those of you that feel intrigued about going to the ballet, having watched some [...]
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by Linda on August 20, 2009
This is the first post devoted to small jumps, the main components of what is known as petit allégro. Used in training they assist in the development of musicality, coordination, and quick footwork (stressing the use of the lower leg) while onstage, they are widely used in variations and/or character dances in full-length ballets, most [...]
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Entrechat,
Flower Festival in Genzano,
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La Sylphide,
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Mélanie Hurel,
Nelli Kobakhidze,
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Petit Allegro,
POB,
Royale,
Russian Pas de Chat,
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Small Jumps,
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Technique,
Temps de l'ange,
Temps de Poisson
by Emilia on August 17, 2009
If you follow us on Twitter or Facebook or if you have been reading our posts here you will know that, ballet-wise, the past two weeks have been “all about the Mariinsky in London”, their stylish dancing and the impressive array of performers they have fielded to wow us in the classics [...]
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Yevgenia Obraztsova,
Yulia Makhalina,
Yuri Fateyev,
Zhanna Ayupova
by Emilia on August 15, 2009
In the August edition of Dancing Times Magazine there is an interesting article which looks back on the history of the “Soviet Sleeping Beauty”, the version the Mariinsky have brought to this tour in London (they also have a Vikharev reconstruction of Petipa’s older version which is currently shelved though perhaps not permanently). According to [...]
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by Linda on August 12, 2009
Few ballet companies boast as pure a lineage as the Royal Danish Ballet. The company can trace their heritage, their look and unique style back to the teachings and choreographies of one single person: August Bournonville, the Danish ballet master who brought into the country the best of the 19th century French school technique and [...]
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Hans Beck,
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Kirsten Ralov,
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Napoli,
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The Kermesse in Bruges,
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