Thinking of Lavrovsky’s Romeo and Juliet as completely obsolete is like saying German Expressionist cinema has no more value in a post Hitchcock world. The latter could not have existed without the former and it is always interesting to revisit original works and old schools, observing where choreographers like Cranko and MacMillan would have drawn [...]
From the monthly archives:
August 2009
Don’t Drink Poison
by Emilia on August 8, 2009
The Mariinsky Ballet
by Linda on August 3, 2009
As the Mariinsky comes to the rescue of ballet-starved Londoners this week, we kick-off our series of features about ballet companies around the world, outlining their history, traditions and differences. Most readers will immediately associate the name Mariinsky to one of the premier ballet companies in the world but equally important are its links to [...]
Tagged as: Andrian Fadeyev, Anton Korsakov, Arthur Saint-Leon, Balanchine, Bournonville, Carlotta Brianza, Cecchetti, Coppélia, Diaghilev, Diana Vishneva, Fokine, Forsythe, Franz Hilverding, Galina Mezentseva, Galina Ulanova, Giselle, Igor Zelensky, Kirov, La Bayadère, La Sylphide, Lavrovsky, Lydia Lopokova, Maria Alexandrova, Maria Taglioni, Mariinsky, Maurice Béjart, Mikhail Baryshnikov, Mussorgsky, Napoli, Natalia Makarova, Ninel Kurgapkina, Olesia Novikova, Pas de Six, Petipa, Pierina Legnani, Raymonda, Rimsky-Korsakov, Roland Petit, Romeo and Juliet, Rudolf Nureyev, Russian Ballet, St. Petersburg, Swan Lake, Symphony in C, Tchaikovsky, The Magic Pills, The Nutcracker, The Pharaoh's Daughter, The Sleeping Beauty, Ulyana Lopatkina, Vaganova, Vladimir Shklyarov, Yekaterina Kondaurova, Yevgenia Obraztsova, Yuri Soloviev
