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	<title>Comments on: Bag of Steps: Turns</title>
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	<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/</link>
	<description>Because ballet ROCKS!</description>
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		<title>By: Two Cinderellas.</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-2821</link>
		<dc:creator>Two Cinderellas.</dc:creator>
		<pubDate>Thu, 29 Apr 2010 17:56:43 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-2821</guid>
		<description>[...] steps. But in the ball scenes she becomes majestic. Soon she is circling the stage in razor-sharp piqués and châiné turns. As Prokofiev&#8217;s evocative score emphasizes love blossoming, Cojocaru lets herself be swept [...]</description>
		<content:encoded><![CDATA[<p>[...] steps. But in the ball scenes she becomes majestic. Soon she is circling the stage in razor-sharp piqués and châiné turns. As Prokofiev&#8217;s evocative score emphasizes love blossoming, Cojocaru lets herself be swept [...]</p>
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		<title>By: Cinderella</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-1986</link>
		<dc:creator>Cinderella</dc:creator>
		<pubDate>Tue, 13 Apr 2010 12:35:38 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-1986</guid>
		<description>[...] With music by Baron Boris Fitinhof-Schell this version famously showcased Pierina Legnani and her 32 fouettées en tournant (a feat which would later be incorporated into the ballet Swan Lake) for the [...]</description>
		<content:encoded><![CDATA[<p>[...] With music by Baron Boris Fitinhof-Schell this version famously showcased Pierina Legnani and her 32 fouettées en tournant (a feat which would later be incorporated into the ballet Swan Lake) for the [...]</p>
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		<title>By: Brighter Than Sunshine</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-704</link>
		<dc:creator>Brighter Than Sunshine</dc:creator>
		<pubDate>Mon, 15 Mar 2010 15:02:43 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-704</guid>
		<description>[...] He is also still capable of delivering Colas&#8217; trademark flashy series of tour-jetés and grand pirouettes which, despite more understated now than a few years back (Acosta is gearing towards his late [...]</description>
		<content:encoded><![CDATA[<p>[...] He is also still capable of delivering Colas&#8217; trademark flashy series of tour-jetés and grand pirouettes which, despite more understated now than a few years back (Acosta is gearing towards his late [...]</p>
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		<title>By: Watson/Benjamin Romeo &#38; Juliet Review</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-419</link>
		<dc:creator>Watson/Benjamin Romeo &#38; Juliet Review</dc:creator>
		<pubDate>Sun, 14 Feb 2010 16:44:05 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-419</guid>
		<description>[...] sometimes one wishes he would stay in arabesque forever &#8211; Watson makes the most of the pirouettes à la seconde and attitude turns, both more ideally suited for him than the quick-footed sequences with the [...]</description>
		<content:encoded><![CDATA[<p>[...] sometimes one wishes he would stay in arabesque forever &#8211; Watson makes the most of the pirouettes à la seconde and attitude turns, both more ideally suited for him than the quick-footed sequences with the [...]</p>
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		<title>By: Balanchine Ballet Symphony in C</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-336</link>
		<dc:creator>Balanchine Ballet Symphony in C</dc:creator>
		<pubDate>Mon, 08 Feb 2010 14:14:29 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-336</guid>
		<description>[...] of technical prowess. It opens with the fourth ballerina going through a sequence of turns (many pirouettes &amp; fouett ées), small jumps and changing poses, the corps moving around her. Her partner and two male [...]</description>
		<content:encoded><![CDATA[<p>[...] of technical prowess. It opens with the fourth ballerina going through a sequence of turns (many pirouettes &amp; fouett ées), small jumps and changing poses, the corps moving around her. Her partner and two male [...]</p>
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		<title>By: Sleeping Beauty Roundup &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-213</link>
		<dc:creator>Sleeping Beauty Roundup &#171; The Ballet Bag</dc:creator>
		<pubDate>Sat, 30 Jan 2010 12:16:25 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-213</guid>
		<description>[...] to take each suitor’s hand; or at the way she alternates her port de bras while zipping through piqué turns. It all looks as easy and effortless as Balenciaga’s illustrious cape. And this most elegant of [...]</description>
		<content:encoded><![CDATA[<p>[...] to take each suitor’s hand; or at the way she alternates her port de bras while zipping through piqué turns. It all looks as easy and effortless as Balenciaga’s illustrious cape. And this most elegant of [...]</p>
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		<title>By: Oh! You Pretty Things &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-212</link>
		<dc:creator>Oh! You Pretty Things &#171; The Ballet Bag</dc:creator>
		<pubDate>Tue, 15 Dec 2009 14:42:52 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-212</guid>
		<description>[...] good time skating. To replicate the feel of dancing on ice the chassé is heavily used, as are fouettés and various forms of spinning and walking on pointe. Soloists emerge from the group dances, developing their own signature moves [...]</description>
		<content:encoded><![CDATA[<p>[...] good time skating. To replicate the feel of dancing on ice the chassé is heavily used, as are fouettés and various forms of spinning and walking on pointe. Soloists emerge from the group dances, developing their own signature moves [...]</p>
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		<title>By: Golden Years &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-211</link>
		<dc:creator>Golden Years &#171; The Ballet Bag</dc:creator>
		<pubDate>Mon, 14 Dec 2009 13:20:39 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-211</guid>
		<description>[...] with italian virtuosa Pierina Legnani in the title role. Here she first performed the famous 32 fouettés en tournant later consecrated in Swan [...]</description>
		<content:encoded><![CDATA[<p>[...] with italian virtuosa Pierina Legnani in the title role. Here she first performed the famous 32 fouettés en tournant later consecrated in Swan [...]</p>
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		<title>By: Mr. Brightside &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-210</link>
		<dc:creator>Mr. Brightside &#171; The Ballet Bag</dc:creator>
		<pubDate>Mon, 07 Dec 2009 12:36:23 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-210</guid>
		<description>[...] improvisation. As he tries, in vain, to impress the cellist with his moves he dishes out dazzling grand pirouettes and tricky beaten steps (let us not forget who this piece was originally created for). In a final [...]</description>
		<content:encoded><![CDATA[<p>[...] improvisation. As he tries, in vain, to impress the cellist with his moves he dishes out dazzling grand pirouettes and tricky beaten steps (let us not forget who this piece was originally created for). In a final [...]</p>
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		<title>By: Sweet Disposition &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-209</link>
		<dc:creator>Sweet Disposition &#171; The Ballet Bag</dc:creator>
		<pubDate>Tue, 03 Nov 2009 16:44:44 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-209</guid>
		<description>[...] lovely as Laura McCulloch is in manner and in mime, the Lilac&#8217;s prologue variation, with its Italian fouettés and turns that demand Swiss-watch precision, are too big a challenge to be cast at anything other than [...]</description>
		<content:encoded><![CDATA[<p>[...] lovely as Laura McCulloch is in manner and in mime, the Lilac&#8217;s prologue variation, with its Italian fouettés and turns that demand Swiss-watch precision, are too big a challenge to be cast at anything other than [...]</p>
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