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	<title>Comments on: Bag of Steps: Turns</title>
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	<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/</link>
	<description>Because ballet ROCKS!</description>
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		<title>By: Pique Turns - Ballet Class Music</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-30764</link>
		<dc:creator>Pique Turns - Ballet Class Music</dc:creator>
		<pubDate>Wed, 28 Sep 2011 20:18:23 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-30764</guid>
		<description>[...] &amp; Cigala &#8211; Lagrimas Negras (2003) NEW RIPBebo Valdes Diego El Cigala Lagrimas NegBag of Steps: Turns   //  .broken_link, a.broken_link { text-decoration: line-through; [...]</description>
		<content:encoded><![CDATA[<p>[...] &amp; Cigala &#8211; Lagrimas Negras (2003) NEW RIPBebo Valdes Diego El Cigala Lagrimas NegBag of Steps: Turns   //  .broken_link, a.broken_link { text-decoration: line-through; [...]</p>
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		<title>By: The Little Humpbacked Horse Roundup</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-25207</link>
		<dc:creator>The Little Humpbacked Horse Roundup</dc:creator>
		<pubDate>Thu, 21 Jul 2011 19:04:45 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-25207</guid>
		<description>[...] Shklyarov&#8216;s signature sky-high Russian splits, but his technique was secure and his stylish grand pirouette with alternating arms went down very well with the crowds. It was interesting to see the enthusiasm [...]</description>
		<content:encoded><![CDATA[<p>[...] Shklyarov&#8216;s signature sky-high Russian splits, but his technique was secure and his stylish grand pirouette with alternating arms went down very well with the crowds. It was interesting to see the enthusiasm [...]</p>
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		<title>By: Bag of Steps: Connections</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-11594</link>
		<dc:creator>Bag of Steps: Connections</dc:creator>
		<pubDate>Thu, 27 Jan 2011 17:35:04 +0000</pubDate>
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		<description>[...] Turns [...]</description>
		<content:encoded><![CDATA[<p>[...] Turns [...]</p>
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		<title>By: Two Cinderellas.</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-2821</link>
		<dc:creator>Two Cinderellas.</dc:creator>
		<pubDate>Thu, 29 Apr 2010 17:56:43 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-2821</guid>
		<description>[...] steps. But in the ball scenes she becomes majestic. Soon she is circling the stage in razor-sharp piqués and châiné turns. As Prokofiev&#8217;s evocative score emphasizes love blossoming, Cojocaru lets herself be swept [...]</description>
		<content:encoded><![CDATA[<p>[...] steps. But in the ball scenes she becomes majestic. Soon she is circling the stage in razor-sharp piqués and châiné turns. As Prokofiev&#8217;s evocative score emphasizes love blossoming, Cojocaru lets herself be swept [...]</p>
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		<title>By: Cinderella</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-1986</link>
		<dc:creator>Cinderella</dc:creator>
		<pubDate>Tue, 13 Apr 2010 12:35:38 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-1986</guid>
		<description>[...] With music by Baron Boris Fitinhof-Schell this version famously showcased Pierina Legnani and her 32 fouettées en tournant (a feat which would later be incorporated into the ballet Swan Lake) for the [...]</description>
		<content:encoded><![CDATA[<p>[...] With music by Baron Boris Fitinhof-Schell this version famously showcased Pierina Legnani and her 32 fouettées en tournant (a feat which would later be incorporated into the ballet Swan Lake) for the [...]</p>
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		<title>By: Brighter Than Sunshine</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-704</link>
		<dc:creator>Brighter Than Sunshine</dc:creator>
		<pubDate>Mon, 15 Mar 2010 15:02:43 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-704</guid>
		<description>[...] He is also still capable of delivering Colas&#8217; trademark flashy series of tour-jetés and grand pirouettes which, despite more understated now than a few years back (Acosta is gearing towards his late [...]</description>
		<content:encoded><![CDATA[<p>[...] He is also still capable of delivering Colas&#8217; trademark flashy series of tour-jetés and grand pirouettes which, despite more understated now than a few years back (Acosta is gearing towards his late [...]</p>
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		<title>By: Watson/Benjamin Romeo &#38; Juliet Review</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-419</link>
		<dc:creator>Watson/Benjamin Romeo &#38; Juliet Review</dc:creator>
		<pubDate>Sun, 14 Feb 2010 16:44:05 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-419</guid>
		<description>[...] sometimes one wishes he would stay in arabesque forever &#8211; Watson makes the most of the pirouettes à la seconde and attitude turns, both more ideally suited for him than the quick-footed sequences with the [...]</description>
		<content:encoded><![CDATA[<p>[...] sometimes one wishes he would stay in arabesque forever &#8211; Watson makes the most of the pirouettes à la seconde and attitude turns, both more ideally suited for him than the quick-footed sequences with the [...]</p>
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		<title>By: Balanchine Ballet Symphony in C</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-336</link>
		<dc:creator>Balanchine Ballet Symphony in C</dc:creator>
		<pubDate>Mon, 08 Feb 2010 14:14:29 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-336</guid>
		<description>[...] of technical prowess. It opens with the fourth ballerina going through a sequence of turns (many pirouettes &amp; fouett ées), small jumps and changing poses, the corps moving around her. Her partner and two male [...]</description>
		<content:encoded><![CDATA[<p>[...] of technical prowess. It opens with the fourth ballerina going through a sequence of turns (many pirouettes &amp; fouett ées), small jumps and changing poses, the corps moving around her. Her partner and two male [...]</p>
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		<title>By: Sleeping Beauty Roundup &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-213</link>
		<dc:creator>Sleeping Beauty Roundup &#171; The Ballet Bag</dc:creator>
		<pubDate>Sat, 30 Jan 2010 12:16:25 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-213</guid>
		<description>[...] to take each suitor’s hand; or at the way she alternates her port de bras while zipping through piqué turns. It all looks as easy and effortless as Balenciaga’s illustrious cape. And this most elegant of [...]</description>
		<content:encoded><![CDATA[<p>[...] to take each suitor’s hand; or at the way she alternates her port de bras while zipping through piqué turns. It all looks as easy and effortless as Balenciaga’s illustrious cape. And this most elegant of [...]</p>
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		<title>By: Oh! You Pretty Things &#171; The Ballet Bag</title>
		<link>http://www.theballetbag.com/2009/10/31/bag-of-steps-turns/comment-page-1/#comment-212</link>
		<dc:creator>Oh! You Pretty Things &#171; The Ballet Bag</dc:creator>
		<pubDate>Tue, 15 Dec 2009 14:42:52 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2219#comment-212</guid>
		<description>[...] good time skating. To replicate the feel of dancing on ice the chassé is heavily used, as are fouettés and various forms of spinning and walking on pointe. Soloists emerge from the group dances, developing their own signature moves [...]</description>
		<content:encoded><![CDATA[<p>[...] good time skating. To replicate the feel of dancing on ice the chassé is heavily used, as are fouettés and various forms of spinning and walking on pointe. Soloists emerge from the group dances, developing their own signature moves [...]</p>
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