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	<title>Comments on: Golden Years</title>
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	<link>http://www.theballetbag.com/2009/12/13/marius_petipa/</link>
	<description>Because ballet ROCKS!</description>
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		<title>By: The Little Humpbacked Horse</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-24561</link>
		<dc:creator>The Little Humpbacked Horse</dc:creator>
		<pubDate>Mon, 11 Jul 2011 17:13:43 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-24561</guid>
		<description>[...] the ballet ended with a divertissement celebrating the Russian Empire. Thirty years later (1895) Marius Petipa would use parts of Pugni&#8217;s score (combined with incidental music by Riccardo Drigo) to [...]</description>
		<content:encoded><![CDATA[<p>[...] the ballet ended with a divertissement celebrating the Russian Empire. Thirty years later (1895) Marius Petipa would use parts of Pugni&#8217;s score (combined with incidental music by Riccardo Drigo) to [...]</p>
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		<title>By: The Royal Ballet's 2011-2012 Season</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-18150</link>
		<dc:creator>The Royal Ballet's 2011-2012 Season</dc:creator>
		<pubDate>Wed, 13 Apr 2011 22:12:24 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-18150</guid>
		<description>[...] Sleeping Beauty (October &#8211; December 2011) - One needs at least one Petipa blockbuster in one&#8217;s ballet-going CV. If not Swan Lake&#8230; go with [...]</description>
		<content:encoded><![CDATA[<p>[...] Sleeping Beauty (October &#8211; December 2011) &#8211; One needs at least one Petipa blockbuster in one&#8217;s ballet-going CV. If not Swan Lake&#8230; go with [...]</p>
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		<title>By: Swan Lake</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-13383</link>
		<dc:creator>Swan Lake</dc:creator>
		<pubDate>Sat, 26 Feb 2011 22:33:18 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-13383</guid>
		<description>[...] Lake to the Mariinsky had existed for a while. At a commemorative concert to honour the composer Marius Petipa and his collaborator Lev Ivanov presented Act II of Swan Lake. The extract was warmly received and [...]</description>
		<content:encoded><![CDATA[<p>[...] Lake to the Mariinsky had existed for a while. At a commemorative concert to honour the composer Marius Petipa and his collaborator Lev Ivanov presented Act II of Swan Lake. The extract was warmly received and [...]</p>
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		<title>By: Ballet Reconstructions</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-5052</link>
		<dc:creator>Ballet Reconstructions</dc:creator>
		<pubDate>Fri, 27 Aug 2010 16:55:24 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-5052</guid>
		<description>[...] Unlike a piece of music or a painting, choreographic works are not set in stone; performers, coaches and modern choreographers, all contribute to their evolution as You Dance Funny&#8217;s Steve Ha recently discussed. With so many reconstructed works being toured around, I wanted to better understand what goes into them and, in particular, the intricacies of recreating Petipa&#8217;s originals: [...]</description>
		<content:encoded><![CDATA[<p>[...] Unlike a piece of music or a painting, choreographic works are not set in stone; performers, coaches and modern choreographers, all contribute to their evolution as You Dance Funny&#8217;s Steve Ha recently discussed. With so many reconstructed works being toured around, I wanted to better understand what goes into them and, in particular, the intricacies of recreating Petipa&#8217;s originals: [...]</p>
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		<title>By: Carmen</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-2925</link>
		<dc:creator>Carmen</dc:creator>
		<pubDate>Tue, 11 May 2010 16:17:07 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-2925</guid>
		<description>[...] before Bizet Marius Petipa had also adapted Carmen for the stage. Petipa conceived a ballet entitled Carmen et son Toréro [...]</description>
		<content:encoded><![CDATA[<p>[...] before Bizet Marius Petipa had also adapted Carmen for the stage. Petipa conceived a ballet entitled Carmen et son Toréro [...]</p>
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		<title>By: Two Cinderellas.</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-2817</link>
		<dc:creator>Two Cinderellas.</dc:creator>
		<pubDate>Thu, 29 Apr 2010 17:48:37 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-2817</guid>
		<description>[...] was Ashton&#8217;s first full-length ballet. Choreographed in 1948, it was a double homage to Petipa and British Pantomime tradition (read more about it here). Even though Cinderella is not as often [...]</description>
		<content:encoded><![CDATA[<p>[...] was Ashton&#8217;s first full-length ballet. Choreographed in 1948, it was a double homage to Petipa and British Pantomime tradition (read more about it here). Even though Cinderella is not as often [...]</p>
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		<title>By: Cinderella</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-1989</link>
		<dc:creator>Cinderella</dc:creator>
		<pubDate>Tue, 13 Apr 2010 12:39:02 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-1989</guid>
		<description>[...] being performed as early as 1813 in Vienna and 1822 in London, and of a notable production by Marius Petipa, Lev Ivanov, Enrico Cecchetti for the Imperial Mariinsky Theatre in 1893. With music by Baron Boris [...]</description>
		<content:encoded><![CDATA[<p>[...] being performed as early as 1813 in Vienna and 1822 in London, and of a notable production by Marius Petipa, Lev Ivanov, Enrico Cecchetti for the Imperial Mariinsky Theatre in 1893. With music by Baron Boris [...]</p>
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		<title>By: Frederick Ashton</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-851</link>
		<dc:creator>Frederick Ashton</dc:creator>
		<pubDate>Mon, 29 Mar 2010 18:10:42 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-851</guid>
		<description>[...] 1949 Ashton&#8217;s successfully premiered his first 3 act, full-length ballet à la Petipa, Cinderella. The ballet was included in the company&#8217;s American tour and despite [...]</description>
		<content:encoded><![CDATA[<p>[...] 1949 Ashton&#8217;s successfully premiered his first 3 act, full-length ballet à la Petipa, Cinderella. The ballet was included in the company&#8217;s American tour and despite [...]</p>
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		<title>By: La Fille Mal Gardée</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-658</link>
		<dc:creator>La Fille Mal Gardée</dc:creator>
		<pubDate>Tue, 09 Mar 2010 16:10:39 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-658</guid>
		<description>[...] 1885 Marius Petipa and Lev Ivanov decided to bring Taglioni&#8217;s 1864 Fille to the Imperial Ballet, renaming it Le [...]</description>
		<content:encoded><![CDATA[<p>[...] 1885 Marius Petipa and Lev Ivanov decided to bring Taglioni&#8217;s 1864 Fille to the Imperial Ballet, renaming it Le [...]</p>
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		<title>By: WEDDING NOUVEAU &#171; Wedding Inspiration Board &#124; Global Dance Styles &#8211; Russian Ballet &#171; Dream Palette Wedding Inspirations &#171;</title>
		<link>http://www.theballetbag.com/2009/12/13/marius_petipa/comment-page-1/#comment-254</link>
		<dc:creator>WEDDING NOUVEAU &#171; Wedding Inspiration Board &#124; Global Dance Styles &#8211; Russian Ballet &#171; Dream Palette Wedding Inspirations &#171;</dc:creator>
		<pubDate>Mon, 18 Jan 2010 18:32:33 +0000</pubDate>
		<guid isPermaLink="false">http://theballetbag.wordpress.com/?p=2786#comment-254</guid>
		<description>[...] (Above: Source) [...]</description>
		<content:encoded><![CDATA[<p>[...] (Above: Source) [...]</p>
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