by Emilia on February 26, 2010
Bournonville’s La Sylphide is one of the Romantic period’s most iconic ballets. Featuring a hero divided between reality and fantasy, it is filled with symbols, providing many possibilities for interpretation and parallels to our own modern lives and the choices we are forced to make everyday. The characters of James and the Sylph are treasured [...]
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A Month in the Country,
Albrecht,
Angel Corella,
August Bournonville,
Christina Michanek,
Corella Ballet,
Cranko,
Danish Ballet Week,
David Amzallag,
Dramatic & Intense,
Giselle,
James,
John Neumeier,
La Sylphide,
Madge,
National Ballet of Canada,
Nehemiah Kish,
Nikolaj Hubbe,
Onegin,
Romantic Ballet,
Royal Danish Ballet,
Silja Schandorff,
The Sylph,
Ulrik Birkkjær
by Linda on February 25, 2010
The Royal Danish Ballet is intrinsically linked to Bournonville, the French ballet-master who shaped the Company, its style (the closest to 19th century French school) and its unique repertoire. But thanks to globalization and a young Artistic Director fresh from the NYCB rosters, the company also dances plenty of Balanchine, another legend whose choreographic style [...]
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Alban Lendorf,
Alexandra Lo Sardo,
Amy Watson,
Balanchine,
Bizet,
Danish Ballet Week,
David Amzallag,
Gregory Dean,
Gudrun Bojensen,
Jean Lucien-Massot,
Kizzy Matiakis,
Lena-Maria Gruber,
Marcin Kupinski,
Nehemiah Kish,
Nikolaj Hubbe,
NYCB,
RDB,
SAB,
Sebastian Kloborg,
Symphony in C,
Ulrik Birkkjær
by Emilia on February 23, 2010
If I were to write a book called “100 Ballets to See Before You Die” (perhaps there’s a market for that?), La Sylphide would certainly be one of my top 10 picks. It’s a ballet that digs deep, that still has much to say 174 years on. It centers on the pursuit of one’s dreams [...]
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August Bournonville,
Christina Michanek,
Danish Ballet Week,
David Amzallag,
Eva Kloborg,
James,
Johan Kobborg,
La Sylphide,
Madge,
Nehemiah Kish,
Romantic,
Romantic Ballet,
Sorella Englund,
Susanne Grinder,
The Royal Danish Ballet,
The Sylph,
Ulrik Birkkjær
by Linda on February 19, 2010
A few days before we set off for Copenhagen we had the opportunity to chat to UK based Danish choreographer Kim Brandstrup. Kim has consistently produced innovative, modern pieces using non-linear narrative. His film-school background is a visible influence on his style, with plenty of shifts, cuts and stories that are open for personal interpretation. [...]
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Alina Cojocaru,
Arc,
Ashton,
Carlos Acosta,
Choreographer,
Clara Barbera,
Danish Ballet Week,
Film,
full-length,
Goldberg,
Goldberg Variations,
Kenneth MacMillan,
Kim Brandstrup,
Kim Helweg,
Laura Morera,
Leanne Benjamin,
Life is a Dream,
MK Ballerina,
MK Danseur Noble,
Narrative Ballets,
Nikolaj Hubbe,
Olivier Award,
RDB,
Royal Ballet,
Royal Danish Ballet,
Rushes,
Steven McRae,
Tamara Rojo,
Thomas Whitehead
by Emilia on February 18, 2010
We are back from Copenhagen with a suitcase full of ballet goodies. We went there especially to catch The Royal Danish Ballet’s Bournonville & Balanchine Programme which had gorgeous La Sylphide paired with glorious Symphony in C. During our stay we were granted access to The Royal Danish Ballet’s headquarters. Needless to say we were [...]
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A Folk Tale,
A Midsummer's Night Dream,
August Bournonville,
Balanchine,
Ballet Costume,
Christina Michanek,
Danish Ballet Week,
Det Kongelige Teater,
Gudrun Bojesen,
John Neumeier,
La Sylphide,
La Sylphide Still Life,
Nikolaj Hubbe,
Paul Wesolek,
Per Kirkeby,
Peter Martins,
Royal Danish Ballet,
Symphony in C,
Tutu
by Linda on February 14, 2010
The latest run of Romeo and Juliet continues, each cast bringing a different interpretation and/or accentuating different aspects of physicality. Kenneth MacMillan‘s expressive choreography suits so many different types of dancers: from the lyrical to the technician; from young promising soloists who can emphasize naïveté to form a realistic portrayal of a young couple in [...]
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2009-2010 Season,
Bennet Gartside,
Benvolio,
Edward Watson,
Ernst Meisner,
full-length,
Johannes Stepanek,
Juliet,
Kenneth MacMillan,
Leanne Benjamin,
Mandolin Dance,
Mercutio,
Review,
Romeo,
Romeo and Juliet,
Royal Ballet,
Sergei Polunin,
Steven McRae