From the monthly archives:

February 2010

Bournonville’s La Sylphide is one of the Romantic period’s most iconic ballets. Featuring a hero divided between reality and fantasy, it is filled with symbols, providing many possibilities for interpretation and parallels to our own modern lives and the choices we are forced to make everyday. The characters of James and the Sylph are treasured [...]


Bright Young Things

by Linda on February 25, 2010

The Royal Danish Ballet is intrinsically linked to Bournonville, the French ballet-master who shaped the Company, its style (the closest to 19th century French school) and its unique repertoire. But thanks to globalization and a young Artistic Director fresh from the NYCB rosters, the company also dances plenty of Balanchine, another legend whose choreographic style [...]


Tangled Up in Plaid

by Emilia on February 23, 2010

If I were to write a book called “100 Ballets to See Before You Die” (perhaps there’s a market for that?), La Sylphide would certainly be one of my top 10 picks. It’s a ballet that digs deep, that still has much to say 174 years on. It centers on the pursuit of one’s dreams [...]


An Interview with Kim Brandstrup

by Linda on February 19, 2010

A few days before we set off for Copenhagen we had the opportunity to chat to UK based Danish choreographer Kim Brandstrup. Kim has consistently produced innovative, modern pieces using non-linear narrative. His film-school background is a visible influence on his style, with plenty of shifts, cuts and stories that are open for personal interpretation. [...]


The Royal Danish Ballet Rocks!

by Emilia on February 18, 2010

We are back from Copenhagen with a suitcase full of ballet goodies. We went there especially to catch The Royal Danish Ballet’s Bournonville & Balanchine Programme which had  gorgeous La Sylphide paired with glorious Symphony in C. During our stay we were granted access to The Royal Danish Ballet’s headquarters. Needless to say we were [...]


Tremble for my Beloved

by Linda on February 14, 2010

The latest run of Romeo and Juliet continues, each cast bringing a different interpretation and/or accentuating different aspects of physicality. Kenneth MacMillan‘s expressive choreography suits so many different types of dancers: from the lyrical to the technician; from young promising soloists who can emphasize naïveté to form a realistic portrayal of a young couple in [...]


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