}

The Royal Ballet 2010/11 Season Roundup

by Linda on June 28, 2011

In one of their riskiest and most exciting ventures, The Royal Ballet wrapped up for summer with MacMillan’s blockbuster Romeo & Juliet staged for an audience of 40,000 (split over 4 performances). The so-hashtagged #RomeO2 event was the surprise hit in a season more memorable for the hasty return of works like Ashton’s Cinderella (4 separate runs in 2 years), Sylvia or Swan Lake.

Location, location!

While some loved watching ballet at the O2 arena, those sitting very high up found the format more difficult to adapt to. I thought it a refreshing experience, as my £10 floor ticket allowed me to be closer than I have ever been to the stage. The catch? I couldn’t see the dancers’ feet, but screens allowed me to transport myself to Verona. This was a special production that challenged performers and ballet goers alike: gone were the proscenium arch, the set changes, the intimacy of the theatre. In their place, the giant screens and HD close-ups, video extras, hot-dogs and beer. On the Saturday evening performance  – led by Alina Cojocaru & Johan Kobborg – if there was popcorn flying around me, I hardly noticed.

Tamara Rojo as Juliet at The O2. Photo: The Ballet Bag ©

Arena productions are not the only way to widen the reach of ballet. Smaller in scale but equally exciting was The Royal Ballet Creates, an initiative we mentioned when compiling our list of “Ten Things we love about British Ballet” for the blog “Behind Ballet”. Royal Ballet soloist Kristen McNally choreographed a new work set to Kanye West’s My Beautiful Dark Twisted Fantasy in the middle of a busy Apple Store on a Saturday afternoon. Sessions were interactive and people who were probably there to test drive the latest iPad model were given the opportunity to sample classical dance and to win free tickets for The Royal Opera House.

Sergei Polunin as the Knave of Hearts and Lauren Cuthbertson as Alice in Christopher Wheeldon's Alice's Adventures in Wonderland. Photo: Johan Persson / ROH ©

New Work

The other big event of the season was the premiere of Wheeldon’s Alice’s Adventures in Wonderland, a visual feast with the potential to draw families for many seasons to come (a Nutcracker for the Easter season perhaps?). Alice may not be Wheeldon’s most original piece, but it is undeniably a fun evening out. An entertaining ballet, with themes that are relevant to our times. Plus the work’s production budget, its scale and the buzz it generated made the other two new additions to the repertory – Kim Brandstrup’s Invitus Invitam and Wayne McGregor’s Live Fire Exercise – seem muted affairs by comparison.

Power couples. Left: Tamara Rojo and Carlos Acosta. Photo: Dee Conway / ROH © Right: Alina Cojocaru and Johan Kobborg. Photo: Bill Cooper / ROH ©

Star Power

Audiences grow to love a company in part because of its dancers, and The Royal Ballet has unique artists who continue to capture the imagination of regulars. And when it comes to star power few companies can boast partnerships similar to Rojo/Acosta’s and Cojocaru/Kobborg’s.

The company also has many talented individual performers and I can only thank my lucky stars for being able to watch dancers like these work their magic so often:

  • Tamara Rojo’s Manon & Juliet – you can count on marveling at the detailed interpretations Tamara gives to some of ballet’s most complex characters.
  • Zenaida Yanowsky’s Swan Lake – her Swan Queen made me forget about the production’s dated designs. Here was the most elegant Odette, with beautiful phrasing and port de bras and an intoxicating Odile who had thrilling rapport with Will Tuckett’s Von Rothbart.
  • Alina Cojocaru / Johan Kobborg. A partnership for the ages. I am keeping their performances in Onegin, Giselle, Manon and Romeo and Juliet this season as souvenirs and pining over the fact they are not scheduled to dance together anytime soon. And that with every season, Kobborg gets closer to hanging up his ballet shoes.

Steven McRae in Sir Frederick Ashton's Rhapsody. Photo: Tristram Kenton / ROH ©

Next Chapter

The Royal Ballet currently finds itself in a period of transition. Monica Mason retires next year and the Company has recently announced the appointment of Kevin O’Hare to succeed her, a choice that suggests continuity. At a time when ballet companies are struggling to strike the right balance between “thinking globally and acting locally”, O’Hare will face the challenges of preserving the Ashton/MacMillan/Petipa/Balanchine canon while looking at opportunities to commission work from the best new choreographers out there. In that task he will be assisted by McGregor & Wheeldon. O’Hare will also face steep arts cuts, the fact that some of the Company’s box office-friendly works need to be rejuvenated asap, and, as Graham Watts notes, he will have the responsibility of nurturing the Company’s dancers. Expectations are high and right now we can’t wait to see what happens in the next chapter.

{ 1 trackback }

Bavarian State Ballet – Ballet Extra Series
July 1, 2011 at 5:53 pm

{ 6 comments }

The Ballet Bag (@theballetbag) (@theballetbag) June 28, 2011 at 9:04 pm

New post in the bag: reminiscing about the #RoyalBallet 2010/11 season http://bit.ly/j3Y29Q

K Akiko (@AkikoTYO) June 28, 2011 at 9:57 pm

Enjoyed the post:) Thanks! RT @theballetbag: New post in the bag: reminiscing about the #RoyalBallet 2010/11 season http://bit.ly/j3Y29Q

Amanda June 28, 2011 at 10:32 pm

Spot on as always Ladies: an expert summing up of a bumper year for the Royal Ballet. I wholeheartedly agree with you about those performances from Cojocaru/Kobborg – ones to treasure indeed, and share your dismay that they are not scheduled to dance on stage together at the ROH again for over six months. In the “Star Power” category I would also add the awesome Sergei Polunin, who gave an equally breathtaking performance in Rhapsody, and a word for the outstanding stage presence of the ever-wonderful Gary Avis in all the many and varied roles he inhabits. And I can’t stop without mentioning Laura Morera, and Ricardo Cervera who I would cross any road to see.

tea-breaks (@teabreaksblog) June 29, 2011 at 8:17 am

:) RT @theballetbag: For those who missed it, new post: reminiscing about the #RoyalBallet 2010/11 season http://t.co/dSlWSnQ #ballet

The Ballet Bag (@theballetbag) (@theballetbag) June 30, 2011 at 8:22 am

Reminiscing about the Royal Ballet’s 2010/11 season – #RomeO2, #KanyeBallet, Alice, etc… http://t.co/dSlWSnQ

Rachel Miller August 8, 2011 at 7:44 pm

For me, this season was all about the Royal Ballet arriving in the 21st century what with R&J at the O2 and the wonderfully clever use of video in Alice in Wonderland- a ballet that is modern but still keeps lovely costumes and classically-based choreography. BBC has done us proud this year with great performances and documentaries screened.

So much enjoyed R&J at the O2. The £10 floor tickets were fantastic value and the performance I saw with Cuthbertson/Watson was superb. I have my ticket booked for BRB’s Nutcracker at the O2 in December and I can’t wait!

Comments on this entry are closed.

Previous post:

Next post: