Ballet Landscapes: An Interview with Alice Pennefather and Charles Haswell
For those who have followed the work of dance photographer Alice Pennefather for a while, her interest in filming dance will come as no surprise. With…
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Guillaume Côté on Neumeier’s Nijinsky
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English National Ballet in rehearsal for Jerome Robbins’s The Cage
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The Royal Ballet’s Giselle: a Photo Gallery (3rd edition)
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Mark Bruce Company in Macbeth
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Ballet Black in Rehearsal with Cathy Marston
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5 things we love from ENB’s Le Jeune Homme & La Sylphide
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Chagall: Fantasies for the Stage
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Highlights
Unbound at SF Ballet: An Interview with Cathy Marston
San Francisco Ballet’s #Unbound2018 is a festival of 12 world premieres, split into 4 programs over 17 days. Linking all these new ballets is the…
Lady of the Camellias
Is this ballet for you? Go If: You like soapy dramas complete with beautiful costumes and designs. One for opera lovers too, even if…
Giselle
Is this ballet for you? Go if: Balanchine said it best “Like Hamlet, Giselle is a classic: it is not only important historically, it…
New in the Bag
Svetlana Zakharova in Amore
Last month, I attended the London premiere of Svetlana Zakharova’s solo project, Amore, which debuted at the Bolshoi in May 2016. I was pleasantly surprised to…
Royal Ballet Winter Triple bill: a Photo Gallery
Catch up with Alice Pennefather’s latest photo gallery, featuring two recent Royal Ballet premieres: Twyla Tharp’s The Illustrated Farewell, an expansion of her work As Time Goes…
Ballet Landscapes: An Interview with Alice Pennefather and Charles Haswell
For those who have followed the work of dance photographer Alice Pennefather for a while, her interest in filming dance will come as no surprise. With…
Narrowing the Gap: Vishneva’s Context, Polina the movie
It’s hard to be a ballet fan in the Bay Area at this time of the year. While the San Francisco Ballet season starts…