by Emilia on February 26, 2011
Is this ballet for you? Go if: Swan Lake is a masterpiece of classical ballet and should be experienced at least once in one’s lifetime, preferably with a ballerina in full command of the technical and dramatic challenges of the central role and in a production that honours Tchaikovsky’s truly “epic” score. Skip if: You [...]
Tagged as:
32 Fouettés en Tournant,
ABT,
Alexander Gorsky,
Alicia Markova,
Anthony Dowell,
Anton Dolin,
Australian Ballet,
Balanchine,
Benno,
Black Swan,
Black Swan Pas de Deux,
Bolshoi,
Dramatic & Intense,
Graeme Murphy,
Hopelessly Romantic,
Illusions like Swan Lake,
Johann Karl August Musäus,
John Neumeier,
Julius Reisinger,
Kevin McKenzie,
King Ludwig II,
La Scala,
Lev Ivanov,
Mariinsky,
Marius Petipa,
Matthew Bourne,
Moscow Stanislavsky Ballet,
Nicholas Sergeyev,
Nureyev,
NYCB,
Odette,
Odile,
Paris Opera Ballet,
Pavel Gerd,
Pelagia Karpakova,
Peter Martins,
Petipa,
Pierina Legnani,
POB,
Riccardo Drigo,
Royal Ballet,
Siegfried,
Swan Lake,
Tchaikovksy,
Tchaikovsky Pas de Deux,
The Stranger,
Vladimir Bourmeister,
Von Rothbart,
White Swan
by Linda on February 4, 2011
New chapter in our ongoing series of Ballet History articles. This time we look at ABT, in light of its current London tour. American Ballet Theatre (ABT) has always been associated with blockbuster ballets, touring in large theatres and big ballet stars. The name immediately brings to mind legends of the past like Baryshnikov, Kirkland, [...]
Tagged as:
ABT,
Agnes de Mille,
Alessandra Ferri,
Alexei Ratmansky,
Alicia Alonso,
Alicia Markova,
André Eglevsky,
Angel Corella,
Anton Dolin,
Antony Tudor,
Balanchine,
BAM,
Carla Fracci,
Cory Stearns,
Cynthia Gregory,
David Hallberg,
Erik Bruhn,
Ethan Stiefel,
Fancy Free,
Fernando Bujones,
Gelsey Kirkland,
Gillian Murphy,
Hee Seo,
Igor Youskevitch,
Jacob's Pillow,
Jerome Robbins,
John Kriza,
José Manuel Carreño,
Julie Kent,
Julio Bocca,
Kevin McKenzie,
Lucia Chase,
Marcelo Gomes,
Mariana Tcherkassky,
Mark Morris,
Martine van Hamel,
Met,
Mikhail Baryshnikov,
Mikhail Fokine,
Mikhail Mordkin,
Mordkin Ballet,
Natalia Makarova,
Nora Kaye,
Oliver Smith,
On the Dnieper,
Paloma Herrera,
Paul Taylor,
Pillar of Fire,
Seven Sonatas,
Simone Messmer,
T&V,
The Bright Stream,
Theme & Variations,
Toni Lander,
Twyla Tharp,
Veronika Part
by Linda on January 11, 2011
Is this ballet for you? Go if: Balanchine said it best “Like Hamlet, Giselle is a classic: it is not only important historically, it also happens to be good (…) People go to see Giselle and to see ballerinas dance it for the same reason we got to see new interpretations of Hamlet: the work [...]
Tagged as:
Adèle Dumilâtre,
Adolphe Adam,
Albrecht,
Alicia Alonso,
Alicia Markova,
Alina Cojocaru,
Anna Pavlova,
Anton Dolin,
Augusta Maywood,
Ballet of the Nuns,
Camargo Society,
Carla Fracci,
Carlotta Grisi,
David Hallberg,
Dramatic & Intense,
Friedemann Vogel,
Gillian Murphy,
Giselle,
Heinrich Heine,
Hopelessly Romantic,
Johan Kobborg,
Jules Perrot,
La Sylphide,
Lorena Feijoo,
Lucien Petipa,
Maria Alexandrova,
Marianela Nuñez,
Marie Taglioni,
Marius Petipa,
Mathieu Ganio,
Mikhail Mordkin,
Myrtha,
Natalia Osipova,
Nikolai Sergeyev,
Olesya Novikova,
Olga Spessivtseva,
Paris Opera Ballet,
Robert le Diable,
Stepanov Notation,
Svetlana Lunkina,
Tamara Karsavina,
Théophile Gautier,
Vaslav Nijinsky,
Vernoy de Saint-Georges,
Wilis
by Linda on March 29, 2010
As the Royal Ballet’s founder choreographer, Sir Frederick Ashton is to them what Bournonville represents to the Royal Danish Ballet. He nurtured Ninette de Valois‘s young company and gave it an identity through pieces created to help develop its dancers. Ashton’s creations for the Royal Ballet shaped the English style of ballet, combining classical purity [...]
Tagged as:
A Month in the Country,
A Tragedy of Fashion,
A Wedding Bouquet,
ABT,
Alastair Macaulay,
Alicia Markova,
Anna Pavlova,
Apparitions,
Ashton,
Balanchine,
Ballet Rambert,
Birthday Offering,
BRB,
Bronislava Nijinska,
Capriol Suite,
Cecchetti,
Cinderella,
David Vaughan,
English Style,
Enigma Variations,
Façade,
Fred Step,
Ida Rubinstein,
Illuminations,
La Fille Mal Gardée,
Léonide Massine,
Le Baiser de la Fée,
Les Rendezvous,
Lydia Lopokova,
Margot Fonteyn,
Marguerite and Armand,
Marie Rambert,
Michael Somes,
Monotones,
Ninette de Valois,
Nocturne,
Nursery Suite,
Rhapsody,
Robert Helpmann,
Rudolf Nureyev,
Sadler's Wells Royal Ballet,
Scénes de Ballet,
Sylvia,
Symphonic Variations,
Tales of Beatrix Potter,
Tamara Karsavina,
The Ballet Club,
The Camargo Society,
The Dream,
The Royal Ballet,
The Two Pigeons,
Ugly Sisters,
Vic-Wells Ballet
We now turn to one of ballet history’s most successful training methods: Cecchetti, a complete and structured system for dancers, which sets a strict, rigid hierarchical regime and which is still an ongoing influence for virtually every major ballet school in the world. Its creator, Enrico Cecchetti (1850-1928), was an Italian virtuoso dancer who would [...]
Tagged as:
Alicia Markova,
Anna Pavlova,
Ballets Russes,
Carlo Blasis,
Cecchetti,
Diaghilev,
Filippo Taglioni,
Frederick Ashton,
Giovanni Lepri,
ISTD,
Léonide Massine,
Mariinsky,
Method,
Ninette de Valois,
Royal Ballet,
Tamara Karsavina
