Happy new year everyone! Yesterday we tweeted about this great blog post from TenduTV citing globalization as one of ten dance buzzwords for 2012. In our first post of the year, guest blogger Wiebke Schuster proves she’s right on the trend line, with a report from a very British season in Munich: What is “very [...]
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Alina Cojocaru
With so many great stories lending themselves to ballet adaptations, one does wonder what has stopped the major ballet companies from putting out more narrative work? Is it Balanchine’s ghost? Lack of appetite for risk? Recently a panel organised by The Arts Desk discussed how companies with public funding ought to be doing more in that regard. At [...]
Via Press Release: Choreographic creativity is the recurring theme of The Hamburg Ballet’s season 2011/2012. Liliom, a world premiere both in choreography and music, is John Neumeier’s new ballet based on Ferenc Molnár’s play of the same name. Molnár’s play, first performed in 1909, was in turn the basis for the musical Carousel. Liliom has [...]
Is this ballet for you? Go If: You love classical ballet complete with fairy tale theme, tiaras, tutus, lavish décors and variations for almost every single dancer (and featuring every single ballet step in the syllabus). The Sleeping Beauty is also ideal for: classical music fans who want to live Tchaikovsky’s vision of the story, [...]
Balanchine’s three-act ballet Jewels has become a global phenomenon. This autumn the ballet returns to New York City Ballet, the company for whom it was originally created (don’t miss this recent video where NYCB dancers Jenifer Ringer, Sterling Hyltin and Sara Mearns discuss each act), while the Royal Ballet presents this season’s final performance on [...]
In one of their riskiest and most exciting ventures, The Royal Ballet wrapped up for summer with MacMillan’s blockbuster Romeo & Juliet staged for an audience of 40,000 (split over 4 performances). The so-hashtagged #RomeO2 event was the surprise hit in a season more memorable for the hasty return of works like Ashton’s Cinderella (4 [...]
