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Angel Corella

Bournonville’s La Sylphide is one of the Romantic period’s most iconic ballets. Featuring a hero divided between reality and fantasy, it is filled with symbols, providing many possibilities for interpretation and parallels to our own modern lives and the choices we are forced to make everyday. The characters of James and the Sylph are treasured [...]


Bag of Steps: Turns

by Linda on October 31, 2009

We are back with another edition of Bag of Steps. This time we look at every turning trick designed to make us go “whoa” and typically reserved for the grand finale, such as in the coda from a Pas de Deux .
Turns include female and male pirouettes and their offshoots. For the ballerina they are [...]


Talk to me, Dance with me

by Emilia on August 28, 2009

The Mariinsky visit to London a few weeks ago and in particular the fact that they brought mime-less Soviet adaptations of ballet classics with them, generated much discussion among Covent Garden audiences about the importance of mime in ballet. When Konstantin Sergeyev revisited works such as Swan Lake, The Sleeping Beauty and Le Corsaire in [...]


Bag of Steps: Big Jumps (Part 2)

by Linda on July 16, 2009

In this post we continue to look at some of the big jumps that have historically filled the vision of many choreographers and which continue to fill the eyes of an audience. Our focus is on a set of common jumps, which tend to occur in almost every classical variation rather than on the flashy [...]


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