by Linda on January 27, 2011
It has been over a year since we last added to our Bag of Steps library and we recently discovered – via survey feedback – that some readers missed this series. We now return with a post dedicated to “connecting steps”. These are employed by a dancer much in the same way as we would [...]
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Marianela Nuñez,
Natalia Osipova,
Pas de Bourrée,
Passé,
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Retiré,
Steven McRae,
Tombé,
Yuhui Choe
by Linda on October 31, 2009
We are back with another edition of Bag of Steps. This time we look at every turning trick designed to make us go “whoa” and typically reserved for the grand finale, such as in the coda from a Pas de Deux . Turns include female and male pirouettes and their offshoots. For the ballerina they [...]
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Polina Semionova,
Royal Ballet,
Svetlana Zakharova,
Tamara Rojo,
Viengsay Valdés,
Yekaterina Kondaurova
by Linda on August 20, 2009
This is the first post devoted to small jumps, the main components of what is known as petit allégro. Used in training they assist in the development of musicality, coordination, and quick footwork (stressing the use of the lower leg) while onstage, they are widely used in variations and/or character dances in full-length ballets, most [...]
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by Linda on July 16, 2009
In this post we continue to look at some of the big jumps that have historically filled the vision of many choreographers and which continue to fill the eyes of an audience. Our focus is on a set of common jumps, which tend to occur in almost every classical variation rather than on the flashy [...]
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Vladimir Shklyarov
by Linda on June 27, 2009
This post is devoted to big jumps, usually the territory of male dancers, though some of them are also done by ballerinas. These tend to draw gasps and applause from audiences (after all, some of them are extremely hard!) and comments in dance reviews. Given there are plenty of jumps in the ballet syllabus, we [...]
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Continuing from the previous edition of Bag of Steps, where we looked at the eight positions of the body from which all the various steps are executed, we are now going to see how these eight positions are integrated with the dance: All dance steps stem naturally from the alignment and position of the body, [...]
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Marianela Nuñez,
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