Posts tagged as:

Cecchetti

Cinderella

by Emilia on April 13, 2010

Is this ballet for you? Go if: You love the thought of a mashup between The Sleeping Beauty (a classical, grand ballet) and a funny work like La Fille Mal Gardée. Skip if: Certain people find Prokofiev’s haunting score a tad too moody. And you may want to skip the Ashton version if Panto interspersed [...]


One Step Closer

by Linda on March 29, 2010

As the Royal Ballet’s founder choreographer, Sir Frederick Ashton is to them what Bournonville represents to the Royal Danish Ballet. He nurtured Ninette de Valois‘s young company and gave it an identity through pieces created to help develop its dancers. Ashton’s creations for the Royal Ballet shaped the English style of ballet, combining classical purity [...]


Dancing Days

by Emilia on September 21, 2009

This week we have double reason to party. While at Covent Garden the Royal Ballet returns home for the 2009/2010 season, over here at the Ballet Bag we  celebrate 6 months of online balletomania. To mark the occasion we have prepared a – non exhaustive – balletic timeline of sorts, to highlight some of our [...]


The Mariinsky Ballet

by Linda on August 3, 2009

As the Mariinsky comes to the rescue of ballet-starved Londoners this week, we kick-off our series of features about ballet companies around the world, outlining their history, traditions and differences. Most readers will immediately associate the name Mariinsky to one of the premier ballet companies in the world but equally important are its links to [...]


The Scientist

by Linda on July 8, 2009

We now turn to one of ballet history’s most successful training methods: Cecchetti, a complete and structured system for dancers, which sets a strict, rigid hierarchical regime and which is still an ongoing influence for virtually every major ballet school in the world. Its creator, Enrico Cecchetti (1850-1928), was an Italian virtuoso dancer who would [...]


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