by Emilia on January 30, 2010
A while ago we wrote about the joys of seeing different casts in the same ballet. While classics such as The Sleeping Beauty do not leave much room for highly individual interpretations of the central roles they still provide an interesting study of technical and artistic abilities of different ballerinas. In that spirit we took [...]
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by Emilia on August 28, 2009
The Mariinsky visit to London a few weeks ago and in particular the fact that they brought mime-less Soviet adaptations of ballet classics with them, generated much discussion among Covent Garden audiences about the importance of mime in ballet. When Konstantin Sergeyev revisited works such as Swan Lake, The Sleeping Beauty and Le Corsaire in [...]
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