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Cult Blog Post

Cult Blog Post of the Week

by Emilia & Linda on July 5, 2010

Is print journalism dead? Where is dance writing headed? In twenty years from now, who will we honor for their words about dance? In an article entitled “A Step to the Left, a Jump to the Write” My Two Left Feet brainstorms about the future of dance criticism: Everyone seems to agree that dance writing [...]


Cult Blog Post of the Week

by Emilia on June 26, 2010

We’ve been meaning to flag this post by Ruminations by a Rogue Ballerina for a few weeks now. “The Future is Aszure” is an interesting spotlight feature on 34 year old Canadian choreographer Aszure Barton, director of Aszure Barton & Artists and close friend of Baryshnikov. Her list of achievements is long indeed and it makes us wonder [...]


Cult Blog Post of the Week

by Emilia on June 20, 2010

Check out some outtakes from our visit to The Tokyo Ballet via our collaborator Susanne Reffert’s own blog Chipango. With yet more rehearsal pictures, her feature is entitled Behind the Scenes: The Tokyo Ballet: The Tokyo Ballet is a big company which performs internationally. I was a bit surprised to see that the dancers were [...]


Cult Blog Post of the Week

by Emilia & Linda on June 13, 2010

For Jonathan Still, if ever there was a choreographer who could make dance the new rock n’ roll, it’s Kristen McNally. We agree, having raved about her latest work for the Linbury Studio Theatre ourselves. McNally shows that modern ballet can still use narrative threads; that it needn’t be pure abstraction in order to break [...]


Cult Blog Post of the Week

by Emilia & Linda on June 6, 2010

We’re loving Haglund’s post about ballet legend Alicia Alonso and her epic visit to ABT earlier this week where she made a diplomatic call for “devoting our time to celebrating the beauty and our love for dance instead of fighting with one another”: She’s mythical – Alicia Alonso, that is.  Really, no human could have [...]


Cult Blog Post of the Week

by Emilia & Linda on May 30, 2010

Our pick this week is Oberon’s Grove account of Ashley Bouder‘s revelatory performance in Donizetti Variations, followed by equally powerful dancing from four other NYCB principals in Stravinsky Violin Concerto: The audience were clearly bedazzled by Ashley’s prodigious pirouettes, flashing jumps and the fiorature of her footwork, calling the ballerina and her dashing cavalier Andrew [...]


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