Posts tagged as:

full-length

Lady of the Camellias

by Linda on October 29, 2011

Is this ballet for you? Go If: You like soapy dramas complete with beautiful costumes and designs. One for opera lovers too, even if Verdi is not directly involved. Skip If: You have seen both Cranko’s Onegin and MacMillan’s Manon and remain unmoved. Dream Casts This is more a case for dream companies: both Hamburg [...]


10 Reasons Why We Love Manon

by Emilia on April 16, 2011

A big helping of MacMillan is finally coming our way after a very Ashton-heavy season. Manon, one of his most famous full-length ballets, opens at Covent Garden on Thursday for a run of 15 performances and is to return during the autumn season. Having shortlisted it as one of our new season favorites we were [...]


Dark Fantasy

by Linda on April 6, 2011

In reviewing Birmingham Royal Ballet’s Cinderella, Luke Jennings of the Observer said of the recent string of fairy tale ballets in the UK over the last few months: “in tough economic times, you can sell more tickets if you offer family entertainment”. Yet, he added, “there’s nothing wrong with fairy stories, but if they are [...]


A Folk Tale

by Linda on March 29, 2011

Go If: You like fairy tales and fantasy RPGs filled with elfin creatures, cheeky trolls, a feisty heroine and a hero who triumphs against the odds. You are well-versed in Giselle, La Sylphide, Ondine and would like to try a different supernatural ballet. Skip If: You like your ballets with less plot development, more dancing [...]


Via Press Release: NEW FULL-LENGTH DANCE WORK – WORLD PREMIERE For its next production, Sadler’s Wells has joined forces with electronic pop legends Pet Shop Boys (Neil Tennant and Chris Lowe) and radical choreographer Javier De Frutos to create a brand new full-length dance work based on Hans Christian Andersen’s story, The Most Incredible Thing. [...]


The Hazards of Love – Giselle Review

by Linda on January 17, 2011

Giselle is a ballet that perfectly balances dance and narrative. Audiences are captivated in particular by its timeless second act, a living and breathing example of the Romantic ideal: on one side the revengeful, supernatural Wilis and on the other the ethereal Giselle whose love for Albrecht transcends heartbreak and death. The leading role has [...]


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