Posts tagged as:

full-length

Dancing in the Moonlight

by Linda on December 2, 2010

David Bintley‘s new Cinderella for Birmingham Royal Ballet opens with a funeral: Cinderella’s mother has just died and we get a glimpse at the woman who is to become her stepmother. As she consoles Cinderella’s father her two daughters gaze at our young heroine. Fast forward many years and we see an older Cinderella now curled [...]


Sylvia

by Emilia on November 24, 2010

Is this ballet for you? Go if/Skip if: Whether you should see Sylvia or not heavily depends on which version you are looking at. If you’re a “ballet newbie” we’d recommend you skip the Ashton version for the reasons explained in our recent review. We hope the notes below can help you decide which version [...]


Here Tomorrow Gone Today

by Linda on October 4, 2010

It takes more than a good story to make a narrative ballet work. The great choreographers of the 20th century explored novel ways to develop plots and convey emotions, moving away from the linear structures characteristic of 19th century classics (think Swan Lake and The Sleeping Beauty) in favour of more realistic works. With Onegin [...]


Onegin

by Linda on September 17, 2010

Is this ballet for you? Go If: You like story ballets with grand designs and plenty of pashmina Pas de Deux. You have read and wept through “unhappily ever after” novels like Anna Karenina, Gone with the Wind and well… Onegin. Skip if: You are expecting to hear the famous score from Tchaikovsky’s opera Eugene [...]


After Midnight

by Linda on April 26, 2010

The past few weeks have felt like Ashton fest at The Royal Ballet. With two of his most loved full-length ballets in repertoire, Cinderella and La Fille Mal Gardée (which just ended its run), we could immerse ourselves in his lovely choreography. Ashton’s tricky combo of fast footwork and supple upper body may be testing [...]


Cinderella

by Emilia on April 13, 2010

Is this ballet for you? Go if: You love the thought of a mashup between The Sleeping Beauty (a classical, grand ballet) and a funny work like La Fille Mal Gardée. Skip if: Certain people find Prokofiev’s haunting score a tad too moody. And you may want to skip the Ashton version if Panto interspersed [...]


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