by Linda on October 14, 2009
Diaghilev was a man ahead of his time, a visionary capable of bringing together the most talented artists of his generation and nurturing them into creating new collaborative works of art. Had it not been for his vision, the West might never have known of Nijinsky, Stravinsky or Balanchine. The face of dance would have [...]
Tagged as:
AfterLight,
Alistair Spalding,
Apollo,
Ólafur Arnalds,
Ballets Russes,
Daisy Phillips,
Daniel Proietto,
Diaghilev,
Dyad 1909,
Erik Satie,
Eternal Damnation to Sancho and Sanchez,
Faun,
Gnossiennes,
In the Spirit of Diaghilev,
Ismene Brown,
James O'Hara,
Javier de Frutos,
Jean Cocteau,
Michael Hulls,
Nitin Sawhney,
Nymph,
Review,
Rite of Spring,
Russell Maliphant,
Sadler's Wells,
Sidi Larbi Cherkaoui,
Wayne McGregor
by Emilia on September 17, 2009
While at the main stage the Royal Ballet season kicks off in October with Mayerling, downstairs at the Linbury Studio the ROH2, Royal Opera House’s contemporary arm, makes a headstart next week with an exciting new collaboration between dancers Tamara Rojo, Thomas Whitehead, Steven McRae and choreographer Kim Brandstrup. Then, later in the season, Brandstrup [...]
Tagged as:
Alina Cojocaru,
Arc,
Bach,
Ballet,
Clement Crisp,
Dostoevsky,
Evening Standard Award,
Goldberg Variations,
Ismene Brown,
Johan Kobborg,
Judith Mackrell,
Kim Brandstrup,
Laura Morera,
Linbury Studio,
London School of Contemporary Dance,
Nina Fonaroff,
Olivier Award,
Prokofiev,
ROH,
ROH2,
Royal Ballet,
Royal Danish Ballet,
Rushes,
Steven McRae,
Tamara Rojo,
The Fall of the House of Usher,
The Idiot,
The Queen of Spades,
Thomas Whitehead,
Two Footnotes to Ashton
