The Royal Ballet’s 2009/2010 season is coming to a close. In the first of two final mixed bills audiences had the opportunity to see a new work by an exciting young choreographer. Bookended by Christopher Wheeldon’s ballet-meets-art-installation Electric Counterpoint and Mats Ek’s irreverent Carmen was Asphodel Meadows, Liam Scarlett’s first ballet for the ROH main [...]
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Johannes Stepanek
While full length pieces such as Mayerling, Manon, Anastasia and Romeo and Juliet invite reflection on MacMillan’s recurring theme of the Outsider, a mixed bill of his one act ballets, such as the Royal Ballet’s latest, gives audiences a chance to shift focus and contemplate MacMillan’s wide range. From academic classical to modern ballet, from [...]
The latest run of Romeo and Juliet continues, each cast bringing a different interpretation and/or accentuating different aspects of physicality. Kenneth MacMillan‘s expressive choreography suits so many different types of dancers: from the lyrical to the technician; from young promising soloists who can emphasize naïveté to form a realistic portrayal of a young couple in [...]
