by Linda on December 15, 2011
With so many great stories lending themselves to ballet adaptations, one does wonder what has stopped the major ballet companies from putting out more narrative work? Is it Balanchine’s ghost? Lack of appetite for risk? Recently a panel organised by The Arts Desk discussed how companies with public funding ought to be doing more in that regard. At [...]
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by Emilia & Linda on November 28, 2011
Via Press Release: Choreographic creativity is the recurring theme of The Hamburg Ballet’s season 2011/2012. Liliom, a world premiere both in choreography and music, is John Neumeier’s new ballet based on Ferenc Molnár’s play of the same name. Molnár’s play, first performed in 1909, was in turn the basis for the musical Carousel. Liliom has [...]
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by Linda on October 29, 2011
Is this ballet for you? Go If: You like soapy dramas complete with beautiful costumes and designs. One for opera lovers too, even if Verdi is not directly involved. Skip If: You have seen both Cranko’s Onegin and MacMillan’s Manon and remain unmoved. Dream Casts This is more a case for dream companies: both Hamburg [...]
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Margot Fonteyn,
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Marijn Rademaker,
Myriam Simon,
Rachele Buriassi,
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Royal Ballet,
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Silvia Azzoni,
Sir Frederick Ashton,
Stuttgart Ballet,
Sue Jin Kang,
Tamara Rojo,
Thiago Bordin,
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by Emilia on February 26, 2011
Is this ballet for you? Go if: Swan Lake is a masterpiece of classical ballet and should be experienced at least once in one’s lifetime, preferably with a ballerina in full command of the technical and dramatic challenges of the central role and in a production that honours Tchaikovsky’s truly “epic” score. Skip if: You [...]
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by Emilia & Linda on February 18, 2011
“Move over, Natalie Portman: You may be favored for the Oscar in Black Swan, but there’s a real-life, flesh-and-blood ballerina generating heat as the swan queen!” says Jocelyn Novek, one of the writers quoted by Milan-based arts blogger Graham Spicer in a roundup of praise for the remarkable Odette/Odile of Sara Mearns. NYCB’s Mearns is [...]
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by Emilia & Linda on December 23, 2010
Is ballet ready for its close-up? Is it indeed bursting with vitality; the art form to watch in 2011? We reach the end of 2010 with mixed messages. On one hand, some positive signs: NYCB’s Architecture of Dance Festival and its seven premieres (four of which “narrative” ballets), Alexei Ratmansky’s new works for ABT and [...]
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