Posts tagged as:

Laura Morera

Bag of Steps: Connections

by Linda on January 27, 2011

It has been over a year since we last added to our Bag of Steps library and we recently discovered – via survey feedback – that some readers missed this series. We now return with a post dedicated to “connecting steps”. These are employed by a dancer much in the same way as we would [...]


The Royal Ballet Portraits

by Linda on June 29, 2010

One of our favorite topics, along with ballet myth busting, is ballet’s potential for crossover with other art forms. Besides its affinity with drama and music, ballet also naturally lends itself to collaborations with photography and art installations. A dancer’s ability to convey emotion with shapes, to create beauty in movement and form makes him/her [...]


Houses of the Holy

by Emilia on May 28, 2010

In an interesting piece for The new Criterion novelist Laura James recently debated the watering-down of meaning and depth in modern ballet, arguing that: If these dances were houses, no one would be able to live in them. And no one does. I think I might like to live inside Chroma though. Just for a [...]


On Melancholy Hill

by Linda on May 18, 2010

The Royal Ballet’s 2009/2010 season is coming to a close. In the first of two final mixed bills  audiences had the opportunity to see a new work by an exciting young choreographer. Bookended by Christopher Wheeldon’s ballet-meets-art-installation Electric Counterpoint and Mats Ek’s irreverent Carmen was Asphodel Meadows, Liam Scarlett’s first ballet for the ROH main [...]


The World We Live In

by Linda on March 2, 2010

The Royal Ballet’s latest triple bill is a rare combination of three recent ballets,  all done by living choreographers. It includes young Jonathan Watkins’ brand new piece As One. Here’s what each Bag Lady thought of his vibrant debut in the Covent Garden main stage:  Emilia says: If you still don’t have a ticket for [...]


An Interview with Kim Brandstrup

by Linda on February 19, 2010

A few days before we set off for Copenhagen we had the opportunity to chat to UK based Danish choreographer Kim Brandstrup. Kim has consistently produced innovative, modern pieces using non-linear narrative. His film-school background is a visible influence on his style, with plenty of shifts, cuts and stories that are open for personal interpretation. [...]


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