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Leanne Benjamin

The Wanting Comes in Waves – Manon Review

by Linda on April 26, 2011

If you are lucky, in ballets with characters as complex as Manon and Des Grieux, a particular performance might become – as Bag Lady E calls it – your personal “swell of 1969″: that defining evening at the ballet against which all others will be measured. To create this perfect dance memory many components have [...]


Royal Ballet Portraits in London

by Emilia on October 16, 2010

We recently wrote a guest blog post for the Royal Opera House on The Royal Ballet Portaits exhibition, currently on display at Paul Smith’s No. 9 Shop in London: A meeting between Royal Ballet Principal Steven McRae and iconic fashion designer Sir Paul Smith is what set the scene for a novelty project, The Royal [...]


How to Handle a Rope

by Linda on April 6, 2010

While full length pieces such as Mayerling, Manon, Anastasia and Romeo and Juliet invite reflection on MacMillan’s recurring theme of the Outsider, a mixed bill of his one act ballets, such as the Royal Ballet’s latest, gives audiences a chance to shift focus and contemplate MacMillan’s wide range. From academic classical to modern ballet, from [...]


Romeo and Juliet Roundup

by Emilia on March 21, 2010

The event? A marathon of Romeos and Juliets at Covent Garden. The challenge? To see almost every cast combination available. The result? A ballet with the feel of one of those great cinematic experiences you just want to prolong. And so for our Roundup this time we decided to match each of these performances to [...]


An Interview with Kim Brandstrup

by Linda on February 19, 2010

A few days before we set off for Copenhagen we had the opportunity to chat to UK based Danish choreographer Kim Brandstrup. Kim has consistently produced innovative, modern pieces using non-linear narrative. His film-school background is a visible influence on his style, with plenty of shifts, cuts and stories that are open for personal interpretation. [...]


Tremble for my Beloved

by Linda on February 14, 2010

The latest run of Romeo and Juliet continues, each cast bringing a different interpretation and/or accentuating different aspects of physicality. Kenneth MacMillan‘s expressive choreography suits so many different types of dancers: from the lyrical to the technician; from young promising soloists who can emphasize naïveté to form a realistic portrayal of a young couple in [...]


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