by Emilia on November 24, 2010
Is this ballet for you? Go if/Skip if: Whether you should see Sylvia or not heavily depends on which version you are looking at. If you’re a “ballet newbie” we’d recommend you skip the Ashton version for the reasons explained in our recent review. We hope the notes below can help you decide which version [...]
Tagged as:
Alexander Grant,
Aminta,
Arcadia,
Ashton,
Aurélie Dupont,
Baron de Reinach,
Bill Cooper,
Bintley,
BRB,
David Bintley,
David Makhateli,
diana,
eros,
full-length,
Gillian Murphy,
Hamburg Ballet,
John Hart,
John Neumeier,
Jules Barbier,
Lauren Cuthbertson,
Leo Delibes,
Light & Fluffy,
Manuel Legris,
Margot Fonteyn,
Mark Morris,
Michael Somes,
Orion,
Palais Garnier,
Paris Opera Ballet,
Pizzicati,
Pizzicato,
POB,
Polina Semionova,
Royal Ballet,
San Francisco Ballet,
Sergei Polunin,
Sylvia,
Tchaikovsky,
Torquato Tasso,
Yannis Kokkos,
Zenaida Yanowsky
by Emilia on April 13, 2010
Is this ballet for you? Go if: You love the thought of a mashup between The Sleeping Beauty (a classical, grand ballet) and a funny work like La Fille Mal Gardée. Skip if: Certain people find Prokofiev’s haunting score a tad too moody. And you may want to skip the Ashton version if Panto interspersed [...]
Tagged as:
Alina Cojocaru,
Ashley Page,
Ashton,
Ballet,
Ben Stevenson,
Bolshoi,
BRB,
Cecchetti,
Charles Perrault,
Christine Haworth,
Cinderella,
full-length,
Galina Ulanova,
Gary Avis,
Hopelessly Romantic,
Ivan Putrov,
James Kudelka,
Jean-Denis Malclès,
Johan Kobborg,
Judith Mackrell,
Konstantin Sergeyev,
Lev Ivanov,
Light & Fluffy,
Mariinsky,
Michael Corder,
Michael Somes,
Moira Shearer,
National Ballet,
NBC,
Nikolai Volkov,
Nureyev,
Olga Lepeshinskaya,
Pamela May,
Petipa,
Pierina Legnani,
Prokofiev,
Ratmansky,
Robert Helpmann,
Roberta Marquez,
Rotislav Zakharov,
Sarah Lamb,
Scottish Ballet,
Stepsisters,
Tamara Rojo,
Toer van Schayk,
Wayne Sleep,
Wendy Ellis Somes,
Yuri Possokhov
by Linda on March 29, 2010
As the Royal Ballet’s founder choreographer, Sir Frederick Ashton is to them what Bournonville represents to the Royal Danish Ballet. He nurtured Ninette de Valois‘s young company and gave it an identity through pieces created to help develop its dancers. Ashton’s creations for the Royal Ballet shaped the English style of ballet, combining classical purity [...]
Tagged as:
A Month in the Country,
A Tragedy of Fashion,
A Wedding Bouquet,
ABT,
Alastair Macaulay,
Alicia Markova,
Anna Pavlova,
Apparitions,
Ashton,
Balanchine,
Ballet Rambert,
Birthday Offering,
BRB,
Bronislava Nijinska,
Capriol Suite,
Cecchetti,
Cinderella,
David Vaughan,
English Style,
Enigma Variations,
Façade,
Fred Step,
Ida Rubinstein,
Illuminations,
La Fille Mal Gardée,
Léonide Massine,
Le Baiser de la Fée,
Les Rendezvous,
Lydia Lopokova,
Margot Fonteyn,
Marguerite and Armand,
Marie Rambert,
Michael Somes,
Monotones,
Ninette de Valois,
Nocturne,
Nursery Suite,
Rhapsody,
Robert Helpmann,
Rudolf Nureyev,
Sadler's Wells Royal Ballet,
Scénes de Ballet,
Sylvia,
Symphonic Variations,
Tales of Beatrix Potter,
Tamara Karsavina,
The Ballet Club,
The Camargo Society,
The Dream,
The Royal Ballet,
The Two Pigeons,
Ugly Sisters,
Vic-Wells Ballet
Is this ballet for you? Go if: You are an Ashton fan. You have a keen eye for demanding technique, quick steps and plenty of characterisation in dance. You like stories involving fantasy femmes fatales, mermaids and ill-fated romances, especially those with a Victorian edge. Skip if: You can’t put up with a difficult non-melodic [...]
Tagged as:
Alexandra Ansanelli,
Ashton,
Ballet,
Clement Crisp,
Edward Watson,
full-length,
Hopelessly Romantic,
Margot Fonteyn,
Michael Somes,
Miyako Yoshida,
Ondine,
Roberta Marquez,
Royal Ballet
