Posts tagged as:

Paquita

Slideshow: Best of 2010 in Ballet

by Emilia & Linda on December 31, 2010

It was a rollercoaster of a year for us. Topics like Black Swan, Jennifer Homans’s Apollo’s Angels and #Sugarplumgate kept us on our toes and led to interesting discussions and exchanges via social media channels.  From an audience perspective we were curious to explore different productions and companies, so we traveled to Copenhagen, Tokyo and [...]


Time Has Told Me: Reconstructing Ballet

by Linda on August 27, 2010

Last month I attended the opening night of Laurencia by the Mikhailovsky Ballet. This Chabukiani ballet, very popular with audiences in the Soviet era and a vehicle for Russian virtuoso performers, had been dropped out of repertory somewhere around the seventies. For a while all that was left of it were selected extracts performed in [...]


Bolshoi in London Roundup

by Emilia & Linda on August 7, 2010

Following a 3-year gap London ballet audiences finally got the Bolshoi back in town for summer. A long season at Covent Garden meant we had plenty of time to see an enticing mix of well-crafted reconstructions, heritage ballets, contemporary pieces and world class performers. Here we recap on our favorite moments of the tour: Linda [...]


Golden Years

by Linda on December 13, 2009

The Royal Ballet’s Sleeping Beauties have just drawn to a close, giving way to the usual Christmas special of Nutcrackers. Notice anything in common? Both are Petipa ballets, both are amongst the safest for box office purposes, with blockbuster works such as Swan Lake and The Sleeping Beauty, their lavish costumes, orchestral music and vast [...]


Bag of Steps: Small Jumps (Part 1)

by Linda on August 20, 2009

This is the first post devoted to small jumps, the main components of what is known as petit allégro. Used in training they assist in the development of musicality, coordination, and quick footwork (stressing the use of the lower leg) while onstage, they are widely used in variations and/or character dances in full-length ballets, most [...]


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