If you are lucky, in ballets with characters as complex as Manon and Des Grieux, a particular performance might become – as Bag Lady E calls it – your personal “swell of 1969″: that defining evening at the ballet against which all others will be measured. To create this perfect dance memory many components have [...]
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Ricardo Cervera
In an interesting piece for The new Criterion novelist Laura James recently debated the watering-down of meaning and depth in modern ballet, arguing that: If these dances were houses, no one would be able to live in them. And no one does. I think I might like to live inside Chroma though. Just for a [...]
The Royal Ballet’s 2009/2010 season is coming to a close. In the first of two final mixed bills audiences had the opportunity to see a new work by an exciting young choreographer. Bookended by Christopher Wheeldon’s ballet-meets-art-installation Electric Counterpoint and Mats Ek’s irreverent Carmen was Asphodel Meadows, Liam Scarlett’s first ballet for the ROH main [...]
Is this ballet for you? Go If: Girly and funny stories with plenty of romance, ribbons and happy endings are your thing and you simply can’t get enough of Ashton. You are bringing your kids or friends to see a ballet for the first time and need something light and fluffy to start with. Skip [...]
Balanchine‘s first full-length abstract ballet is a celebration of styles and his tribute to the tradition that had shaped ballet during the 19th and 20th centuries. One can only marvel at his achievement while admiring the complexity of the choreography, the richness of the steps and the inclusion of novelty movement and geometry between the [...]
In this compelling article dance critic Alastair Macaulay examines what drives the archetypal “heroine of the water”, her allure, her psychological connotations. I recommend it as essential reading not only to those thinking about catching the last few performances of Ondine this week but also to any Swan Lake devotees. In La Motte Fouqué’s Undine, [...]
