Posts tagged as:

Sarah Lamb

On Melancholy Hill

by Linda on May 18, 2010

The Royal Ballet’s 2009/2010 season is coming to a close. In the first of two final mixed bills  audiences had the opportunity to see a new work by an exciting young choreographer. Bookended by Christopher Wheeldon’s ballet-meets-art-installation Electric Counterpoint and Mats Ek’s irreverent Carmen was Asphodel Meadows, Liam Scarlett’s first ballet for the ROH main [...]


Cinderella

by Emilia on April 13, 2010

Is this ballet for you? Go if: You love the thought of a mashup between The Sleeping Beauty (a classical, grand ballet) and a funny work like La Fille Mal Gardée. Skip if: Certain people find Prokofiev’s haunting score a tad too moody. And you may want to skip the Ashton version if Panto interspersed [...]


Fun That We Have

by Emilia on March 12, 2010

Over the past few weeks the big ballet companies have been all over social media flaunting their new seasons, in some cases with fabulous, state of the art, trailers (like San Francisco Ballet and Dutch National Ballet). Hot on their heels and conspicuously earlier comes The Royal Opera House: their next ballet and opera season is [...]


La Fille Mal Gardée

by Linda on March 9, 2010

Is this ballet for you? Go If: Girly and funny stories with plenty of romance, ribbons and happy endings are your thing and you simply can’t get enough of Ashton. You are bringing your kids or friends to see a ballet for the first time and need something light and fluffy to start with. Skip [...]


The World We Live In

by Linda on March 2, 2010

The Royal Ballet’s latest triple bill is a rare combination of three recent ballets,  all done by living choreographers. It includes young Jonathan Watkins’ brand new piece As One. Here’s what each Bag Lady thought of his vibrant debut in the Covent Garden main stage:  Emilia says: If you still don’t have a ticket for [...]


Oh! You Pretty Things

by Linda on December 15, 2009

In their final programme of the year The Royal Ballet celebrates Sir Frederick Ashton, the founder choreographer who gave this company a wonderful classical repertory and British ballet a defining style. Initially I thought of this double bill as a case of odd pairing since, on one corner, appealing to the Ashton addicts and older [...]


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