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Sergei Polunin

We had promised you more Alice-related backstage goodies and here we are. While our guest tweeting of #AliceinTwitterland continues to make waves, we also wrote a full gala report that was published in the ROH blog earlier this week. In addition, we have below exclusive video snippets from our chat with Royal Ballet principals Edward [...]


This evening we had the honour of taking over the @RoyalOperaHouse feed as their first ever Twitter guests. Early bird reviews for Wheeldon’s Alice in Wonderland are already starting to pop up (read the Indy’s here & Guardian’s here) while over here we have red carpet and backstage goodies from tonight’s gala coming up. As [...]


The Hazards of Love – Giselle Review

by Linda on January 17, 2011

Giselle is a ballet that perfectly balances dance and narrative. Audiences are captivated in particular by its timeless second act, a living and breathing example of the Romantic ideal: on one side the revengeful, supernatural Wilis and on the other the ethereal Giselle whose love for Albrecht transcends heartbreak and death. The leading role has [...]


Sylvia

by Emilia on November 24, 2010

Is this ballet for you? Go if/Skip if: Whether you should see Sylvia or not heavily depends on which version you are looking at. If you’re a “ballet newbie” we’d recommend you skip the Ashton version for the reasons explained in our recent review. We hope the notes below can help you decide which version [...]


King of the Rodeo

by Emilia on June 4, 2010

One of our favorite things in The Royal Ballet season is the opportunity to catch their “New Works” by emerging choreographers (usually in-House talent) in the smaller space of the Linbury Studio Theatre. With tickets at a top price of £18 this is a chance to see what the future of ballet looks like. Last year’s [...]


Houses of the Holy

by Emilia on May 28, 2010

In an interesting piece for The new Criterion novelist Laura James recently debated the watering-down of meaning and depth in modern ballet, arguing that: If these dances were houses, no one would be able to live in them. And no one does. I think I might like to live inside Chroma though. Just for a [...]


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