by Emilia on March 24, 2011
When it comes to ballet marketing, nothing more cliché and tired than the figure of a pink tutu-ed ballerina. True, many ballet fans enjoy the odd amount of tulle and glitter and there is nothing wrong with that. But these are images that propagate ballet as an art stuck in its own fluffy and pink [...]
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Hamburg Ballet,
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Swan Lake,
The Nutcracker,
The Red Shoes
by Emilia on February 26, 2011
Is this ballet for you? Go if: Swan Lake is a masterpiece of classical ballet and should be experienced at least once in one’s lifetime, preferably with a ballerina in full command of the technical and dramatic challenges of the central role and in a production that honours Tchaikovsky’s truly “epic” score. Skip if: You [...]
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by Emilia & Linda on January 31, 2011
Black Swan continues to give ballet a much needed boost, with reports of increased box office demand for Swan Lake performances around the globe (we can almost hear the sound of artistic directors who have not scheduled the ballet this season kicking themselves) and stories of audience members calling the Royal Opera House to see [...]
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by Emilia on January 20, 2011
Hot on the heels of recent Twitter memes like #lessambitiousfilms and #lessambitiousoperas, members of the online dance community revealed their inner ballet nerds earlier this month, joining in the meme fun. Many of us spent hours not doing any work, thinking instead of #lessambitiousballets. A few of you asked us to collate these tweets for [...]
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by Emilia & Linda on January 4, 2011
The following exciting news came today via an ABT press release: Berlin State Opera Ballet’s Polina Semionova is to debut as a Guest Artist with American Ballet Theatre for the 2011 Metropolitan Opera House season, as announced today by Artistic Director Kevin McKenzie. Polina will perform Kitri in Don Quixote at the matinee on Saturday, [...]
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by Emilia & Linda on December 10, 2010
In a recent article for the NY Times entitled “Exchanging Slippers For Schoolbooks” Gia Kourlas looked at the motivations of dancers – active and inactive – to further their studies, particularly in the context of the increased attendance at undergraduate courses for “nontraditional students” offered by Columbia University. One of the student-dancers mentioned by Kourlas [...]
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